sonosphere
Well-Known Member
Hi everybody,
I've had an opportunity recently to audition a bookshelf speaker, that was supposed be very different than regular cone-diaphragm ones. The audition compelled me to write a "mini review" on this speaker. So here it goes...
It's name, Manger (Model: MSM C1), didn't strike a bell, but the reference coming from Amit (Executive from M/s AV Xellence) got me immediately interested. I know Amit too well to know that he wouldn't praise a speaker purely as marketing hype. BTW this is a Active Speaker, so you don't need a power-amp to drive it.
Technology: This is what sets it apart from regular cone diaphragm speakers, BUT I'll skip this part deliberately because in the end it's the sound that matters, I don't want description of gee-whiz technology to take anything away from the essence of music. For same reason I didn't ask the price, as I wanted to focus on performance. You'll find VERY interesting details about this technology on google. Just enter "Manger speakers" in google. So moving on to audition impressions...
Audition impressions:
DYNAMICS: I started with my Dynnamic-test favorite "Hey you" from Pink floyd (PF). The intro having plucked strings immediately put this guy on my "Top" category. The details /soundstage /tonal balance ... all 5 stars. And when the drums came slamming, I was a little underwhelmed. To my ears the slam went as low as 250 Hz and then got damped sharply in the lower end. It soon dawned on me that I've heard very similar spectrum in almost all "Studio Monitors" (JBL model??, Tannoy Reveal, and recently the Genelec 8040A). I couldn't hear as much drama in bottom-end as was in the top-end.
SONIC DETAILS: I went on to listen, "Comfortably numb" (PF), Tum ho (singer: Mohit, Movie: Rockstar), Diana Krall (forgot the song
). Soon I got the general impression on the SQ. This speaker is "DETAILED" with transparency... far more than my personal "topper" till date... the Monitor Audio GS10. I heard so much more of orchestra, yet I could hear thru each instrument-layer very clearly. Recording quality also matters, as I realised in some "run of the mill" recordings.
IMAGING: A demo CD having atmospheric fx similar to "night-time horror flicks" practically got me spooked. the fx soundstage was all AROUND me, not just the front zone. If this would have been a blind-folded audition, I could have sworn that I was listening to a 5.1 surround system. On regular songs I found the spatial separation to be quite good though not leagues ahead from my earlier "topper", the Monitor Audio GS10.
SPEED: Most good speakers get the main-body of sound right, better ones get the reverb-tail right, and only the best ones get the "attack" transients right. And this guy did it more right, (again) than any other I've heard. My previous topper here was the Adam A7. I thought Adam's couldn't be dramatically improved... but this guy did (EXCEPT... surprise... the Bass part. Actually by now I am questioning my preferences in bass-dept... more on this later).
TONAL BALANCE: Actually this is what I look for in a system, as 1st priority, but I kept it for last. For a bass-inclined noob barely out of Wharfedale/Norge exposure this speaker sounded more "Forward" than the already "Forward" SQ that I've noticed in Studio monitors. But I was foxed to realize that despite this double-dose of "forward" character it is not one bit fatiguing
The guitars sounded like real guitars and voices as warm as best paper-cone variety. Why?
A little introspection told me why >> Do the treble end strings on an acoustic guitar sound fatiguing to you ?... NO... Does a one hour unplugged Acoustic guitar performance sound fatiguing to you (despite having no bass?)... NO. Well, thats why. That's what this speaker does. Leaving the below 250 Hz spectrum approx, it reproduced sound as real as it gets... Details + Speed + dynamics + Tonal balance... everything that contributes to a realistic picture.
I was suspecting the Cyruz CDP not delivering heft to this speaker, so temporarily changed source to Arcam R-DAC (Considering Arcam bass is always meaty). But no bass-improvement! It stayed as lean as the Cyrus.
Backend electronics:
Source: Cyrus CDP (with upgrade card)
Pre amp: GamuT C2R
Power amp: Not applicable > These are active speakers.
Parting remarks:
Now only one aspect prevented me from getting hysterical about this speaker, in fact this aspect had me questioning my bass perception-standards. The designer of this speaker (this also includes the design of amp inside) obviously knows his stuff, as is evident from the results... then how come the bass doesn't sound like all the "good bass" I've heard so far? I am talking about bass of Emerald Physics CS3 (this speaker showed me what "open sound" means and what "boxy sound" the traditional speakers give) Another one is Amphion Argon 3L. These speakers are by no means "Trick-bass" speakers that exaggerate bass.
I've heard tabla in intimate "baithak" kind of performances, that are performed in 14 feet x 20 feet drawing rooms. So I KNOW the un-adultrated /un-miked sound of tabla... which includes the bass-"thump" that's not bloated-bass but definately has "heft" in it. This speaker did Tabla exceptionally well, but lost heft somewhere below 250 Hz, compared to the sound imprinted on my mind from those baithaks. But I am somehow questioning my bass-perception, rather than the design of this speaker.
I am ending this "audition-impressions" with a question for fellow members. Try to remember the rock-concerts you've been to. Have you ever come back thinking that the bass was lean? (I didn't for sure, when I heard Deep Purple live in New Delhi) Then why does the bass sound lean when you hear a live rock album on speakers categorized as "Studio Monitors" having flat /uncolored response?
Regds,
Sonosphere
I've had an opportunity recently to audition a bookshelf speaker, that was supposed be very different than regular cone-diaphragm ones. The audition compelled me to write a "mini review" on this speaker. So here it goes...
It's name, Manger (Model: MSM C1), didn't strike a bell, but the reference coming from Amit (Executive from M/s AV Xellence) got me immediately interested. I know Amit too well to know that he wouldn't praise a speaker purely as marketing hype. BTW this is a Active Speaker, so you don't need a power-amp to drive it.

Technology: This is what sets it apart from regular cone diaphragm speakers, BUT I'll skip this part deliberately because in the end it's the sound that matters, I don't want description of gee-whiz technology to take anything away from the essence of music. For same reason I didn't ask the price, as I wanted to focus on performance. You'll find VERY interesting details about this technology on google. Just enter "Manger speakers" in google. So moving on to audition impressions...
Audition impressions:
DYNAMICS: I started with my Dynnamic-test favorite "Hey you" from Pink floyd (PF). The intro having plucked strings immediately put this guy on my "Top" category. The details /soundstage /tonal balance ... all 5 stars. And when the drums came slamming, I was a little underwhelmed. To my ears the slam went as low as 250 Hz and then got damped sharply in the lower end. It soon dawned on me that I've heard very similar spectrum in almost all "Studio Monitors" (JBL model??, Tannoy Reveal, and recently the Genelec 8040A). I couldn't hear as much drama in bottom-end as was in the top-end.
SONIC DETAILS: I went on to listen, "Comfortably numb" (PF), Tum ho (singer: Mohit, Movie: Rockstar), Diana Krall (forgot the song

IMAGING: A demo CD having atmospheric fx similar to "night-time horror flicks" practically got me spooked. the fx soundstage was all AROUND me, not just the front zone. If this would have been a blind-folded audition, I could have sworn that I was listening to a 5.1 surround system. On regular songs I found the spatial separation to be quite good though not leagues ahead from my earlier "topper", the Monitor Audio GS10.
SPEED: Most good speakers get the main-body of sound right, better ones get the reverb-tail right, and only the best ones get the "attack" transients right. And this guy did it more right, (again) than any other I've heard. My previous topper here was the Adam A7. I thought Adam's couldn't be dramatically improved... but this guy did (EXCEPT... surprise... the Bass part. Actually by now I am questioning my preferences in bass-dept... more on this later).
TONAL BALANCE: Actually this is what I look for in a system, as 1st priority, but I kept it for last. For a bass-inclined noob barely out of Wharfedale/Norge exposure this speaker sounded more "Forward" than the already "Forward" SQ that I've noticed in Studio monitors. But I was foxed to realize that despite this double-dose of "forward" character it is not one bit fatiguing

A little introspection told me why >> Do the treble end strings on an acoustic guitar sound fatiguing to you ?... NO... Does a one hour unplugged Acoustic guitar performance sound fatiguing to you (despite having no bass?)... NO. Well, thats why. That's what this speaker does. Leaving the below 250 Hz spectrum approx, it reproduced sound as real as it gets... Details + Speed + dynamics + Tonal balance... everything that contributes to a realistic picture.
I was suspecting the Cyruz CDP not delivering heft to this speaker, so temporarily changed source to Arcam R-DAC (Considering Arcam bass is always meaty). But no bass-improvement! It stayed as lean as the Cyrus.

Backend electronics:
Source: Cyrus CDP (with upgrade card)
Pre amp: GamuT C2R
Power amp: Not applicable > These are active speakers.


Parting remarks:
Now only one aspect prevented me from getting hysterical about this speaker, in fact this aspect had me questioning my bass perception-standards. The designer of this speaker (this also includes the design of amp inside) obviously knows his stuff, as is evident from the results... then how come the bass doesn't sound like all the "good bass" I've heard so far? I am talking about bass of Emerald Physics CS3 (this speaker showed me what "open sound" means and what "boxy sound" the traditional speakers give) Another one is Amphion Argon 3L. These speakers are by no means "Trick-bass" speakers that exaggerate bass.
I've heard tabla in intimate "baithak" kind of performances, that are performed in 14 feet x 20 feet drawing rooms. So I KNOW the un-adultrated /un-miked sound of tabla... which includes the bass-"thump" that's not bloated-bass but definately has "heft" in it. This speaker did Tabla exceptionally well, but lost heft somewhere below 250 Hz, compared to the sound imprinted on my mind from those baithaks. But I am somehow questioning my bass-perception, rather than the design of this speaker.
I am ending this "audition-impressions" with a question for fellow members. Try to remember the rock-concerts you've been to. Have you ever come back thinking that the bass was lean? (I didn't for sure, when I heard Deep Purple live in New Delhi) Then why does the bass sound lean when you hear a live rock album on speakers categorized as "Studio Monitors" having flat /uncolored response?
Regds,
Sonosphere
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