Hi I am novice in hifi system.
Need your suggestion to choose between
1. Yamaha A-S 500 and Marantz PM 6004 and
2. Wharfedale Diamond 10.1 (or 121) and Sonodyne 2605 V3
Any suggestion is most welcome.
Thank you.
Manish
First choose speaker & then the amplifier.....
I have used both the speakers & both of them are good in their own respects....
Thanks for your feedback. ..
As I am new into this. . Could you please share your experience with both speakers??
Diamond's are laid back speakers, low on sensitivity.. so you need a reasonably good amplifier to bring the best out of it....
While Sonus 2605 are slightly on the brighter side... (I prefer it this way) But not overtly bright like metal tweeter speakers....
But why are you considering a mix of FS & BS ?
Hi,
I guess Marantz amp plus Boston Acoustics A26 BS spkrs should be a good combo as they are from the same stable.
Just my Rs.2/-.
Pl audition and then decide.
N.Murali
Thanks ...
Will check. .
Yamaha A-S500 with Wharfedale is good combo and many FM's are already using.
Avoid Sonodyne Sonus 2605 V3s.<snip> I was afraid of getting tinnitus.
Avoid Sonodyne Sonus 2605 V3s. They are too bright sounding and coloured to be called hifi. This is from a man who had actually purchased them online from Hifimart (order # 3013) after coming across good reviews on Sonodyne's active speakers, received them on the evening of 02.01.2014, and gave them away after a 15 minute listen. Wasted almost 34 K on them. The instruments just did not sound true on Sonus 2605 V3s, and the treble hit me in the face. I was afraid of getting tinnitus.
I would have really liked to "like" the Sonus 2605 V3s. But it was not to be. Infact, part of my purchase decision in favour of Sonus 2605 V3 was due to your glowing review of the model on this forum. The other part was due to the lingering mental image of the sound of the Sonus bookshelves of which I had an audition more than a decade ago at a place called Sound Options, next to Shanti Sagar in Koramangala, Bangalore. That was during my early forays into high fidelity audio. Hence the decision to spend Rs. 34 K on Sonus 2605 V3s, without even waiting for the Republic Day discount, and without listening to them in the first instance. That I got kicked in my balls for violating the first tenet in high end audio, "listening is believing," suits me well. I deserved it.
If you liked their sound, good enough.
As for the amplifier / receiver that I am using, I am of the opinion that most high fidelity stereo amplifiers, driven within the limits of their average RMS power, sound "true" when paired with good speakers. I won't go to the extent of saying that all high fidelity amplifiers sound the same (the result that a famous Stereophile magazine's blind test came out with). There may be "micro" nuances here and there for the golden eared audiophiles in terms of the sound they produce, but not to the extent that there is overwhelming treble all over the room. I am not a home theatre guy (never have been, and never plan to be one). Therefore, it suffices to say that I use a stereo amplifier with very good (tested) specifications and ample power, in conjunction with a quality dedicated CD player, so much so, that any voicing / colouration in the sound can be attributed to the speakers alone.
..... If you do not like to employ tone controls, and instead want a "fixed" solution, Mr. Saikia's 2 Ohm resistor solution, or Mr. Hari Iyer's solution for the speaker brightness, should be of help to you. You can find both the solutions with photographs on this forum...
.
So Yamaha A-S 500 amp is warmer than Marantz PM 6004 ...?This is a real nice combo. .. loved the sound. . Thanks for sharing. ..
After audition for long time myself with wife decided to go for Diamond+yamaha 500 combo.. We found that more warm.
But I am not able to locate the thread where a diagram to Mr. Hari Iyer's solution has been provided. I am sure I saw a nicely hand-drawn diagram on this forum, showing a resistor and an inductor in parallel
The baffle step loss occurs as the wavelength for mid & high freq is less than the low frequency. Due to this the mid & high frequencies, after being reflected by the baffle, get overenhanced by another 6dB or so but the low frequency having a larger wavelength escape behind the baffle witout enhancement. This can be partially overcome by placing the speaker very close to rear wall of may be wall mount them or use a BSC circuit to tame the mid/high freq by -6dB. This will bring the mid & high freq in level with the low frequency. Also you can add some kind of thick absorbent material on the baffle to prevent the mid & high freq from reflecting from the baffle. This will absorb these frequencies and make them more mellow. Ths values for the baffle step can be determined by the width of the baffle and is defined by Osolon curves. Therotical attenuation is 6dB. But you can benefit by a little exprimentation by increasing the step to 8dB if your listening room is too small to increase the dynamic headroom. This can be easily done by altering the value of the Resistor to the next higher value till you are satisfied with the balance. The entire circuit should not cost more than Rs.500/- to Rs.600/- considering 21SWG wires and a 5 watts wire wound resistor. Better to try this than considering changing the whole hardware. Even if the amplifier is changed, the speaker issue will still remain and adding the BSC will anyway benefit and will be a worthy investment.