Some Yash Raj Blu-rays also have both Dolby TrueHD and DTS HD MA. If there is a diffrence between a True HD and DTS HD MA track then it must be due to difference in levels because of dialnorm or dynamic range compression being applied to the Dolby True HD track.
As far as traditional DTS and Dolby Digital goes there are a lot of variables that come into play which can make one format sound better than the other. Generally on paper Dolby Digital @ 448kbps is better than DTS @ 768kbps, some listening tests have also supported this view. But comparing Dolby Digital @ 448kbps with DTS @ 1509 is very tricky, at this bit rates DTS might be as good as Dolby Digital or might be better like how a lot of people report.
When people report than DTS is louder than Dolby Digital then it is most probably because of Dolby Digital's dialnorm, so you should match levels before comparing. Also some older DTS encoders slightly boosted levels while encoding, Dolby reported that the older DTS encoder boosted the level by 0.6dB during encoding.
There will surely be a little difference is sound quality between both the formats just like any other lossy compression codec. But if one finds a big difference in sound quality between a DTS and Dolby Digital soundtrack then most probably two different masters would have been used to enocde the DTS and Dolby Digital. A master is the final mix of a film in a lossless format supplied to the authoring facility which encodes them to various formats like Dolby Digital or DTS for DVD/Blu-ray release. For some early films in DTS like Jurassic Park a separate mix for DTS was done to showcase the format and these mixes were usually superior to Dolby Digital mixes.
For some movies the source used to make the 5.1 mix for Dolby Digital and DTS encoding was different. For older movies which only have a analog source you will have to convert them to Digital for multi-channel mixing, for some films the digital conversion for Dolby Digital and DTS was done at different studios or at different times. So naturally there would be a difference in sound quality.
DTS lossy 5.1 format have 2 constant bitrates... Half bit rate (748 Kbps) & Full Bit rate (1548 Kbps) While doolby has variable birates like Mp3.... Meaning the bit rates can vary.... Hence the difference....
But if you listen to DTS & DD with same bitrate, you may not hear any difference @ all....
Dolby Digital does not use variable bit rate, it has a constant bit rate. If you listen to some content encoded with the same bitrate in Dolby Digital and DTS, then the content encoded with Dolby Digital would sound better. This is because Dolby Digital's compression is more efficient than the DTS codec, so a DTS track should have a higher bitrate to match or to sound better than Dolby Digital.
Yes surely,I have put an example.
Another one,You can rip a CD with lossless codec like FLAC,still there are options to select a bit rate in some softwares.They what should it make different when its lossless codec? also If lower bitrate is good for lossless audio,then why would DTSMA opt more one?
No matter which bit rate you choose for a losssles codec, the quality of the encode will be the same.
For lossless codecs like FLAC -
Lower Bitrate (more compressed) = More CPU power required
Higher Bitrate (less compressed) = Less CPU powered
So higher bit rate requires lesser processing power, this would be ideal for encoding in devices with low processing power and this would also help in saving power in portable devices.
Lower bit rate is ideal for systems with good processing power and is also ideal for people who want smaller size encodes. Lossless formats like FLAC give you an option of choosing bit rates so that you can choose the one that suits your needs.
Different lossless formats use different algorithms for compression, so bit rates for each codec might be higher or lower depending on how efficient the compression algorithm is.
The studio wouldn't bother paying double the license fees for no particular reason.
There is no licensing fee for Dolby TrueHD or DTS HD MA, you only pay for their encoders.