Yes Gerry, not trying to brag here but honestly, the commercials are not quite part of the equation for me. I am just trying to follow my father's philosophy which was to make simple equipment sound very listenable.
I was amazed by the L75's simplicity and really enthusiastic about what can be done. However I am not going to get expensive tonearms or plinths into the equation yet.
I am going to start with the L75's stock arm and stock plinth. Talking about the stock plinth, I must really thank Mr. Kuruvila here. He actually called me up and offered to bring the plinth to Trivandrum for me. Now, I don't need to run my L75 on an old wooden stool turned upside down. Really appreciate his gesture and his interest in ensuring that my L75 serves me well. Once I have the stock arm and plinth in place, I will be in a position to evaluate how the L75 sounds. Then I'll take a call on whether to proceed further with the investment in a tonearm and layered plinth. The SL3200 is still my favourite, loyal and hardworking servant. I am planning to set it up on a second rig with the 3020 for a planned home-office. I am so fond of the 3200 that I cannot imagine life without it. I still say that if I had to choose between the 3200 and the L75 and if my life depended on it, I would stand by the 3200
After about 30 odd years of listening to idlers and the 5+ years with the DD, I honestly feel that if the L75 clicks with me, I'll be in for a ride of a life time. I still vividly remember how our old records used to sound on the idler. Lets see if I can replicate that. If not, I am very tempted to look at the EMT 938 (if I can find one in decent shape)