It was a wonderful Sun afternoon hosted by at
Lyrita Audio
Audience: VJ@hifi, Kamalji, Delhi@hifi, anm@hifi, Panditji with his dad, Sanjiv
Session time: 11:30 pm 2:30 pm
Music: We heard Motorhead- All the Aces, Pink Floyd- One slip, Chris Stanring, Kari Bremnes-Norwegian Mood-Coastal Ship, Nils Lofrgen-Keith Don't Go, Rebecca Pidgeon-Spanish Harlem, Paul Simon-Mardi Gras, Hare Krishna Maha Mantra, Rene Olstead-Summertime, Sheffild Test Disc,
Room size: 12 X 18 feet and I was sitting 12 feet with volume knob at 11 o clock position
Snacks: Virenjis famous home brewed coffee with cake
1. Bryston B 60R (60wrms @8 ohms)+ Amity
2. Bryston B 60R + Harmony One
3. 2A3 SET (3 watts/channel) + Amity
4. 2A3 SET + Harmony One
5. 6C33C SET (15 watts/channel) +Amity
6. 6C33C SET + Harmony one
7. Rotel 1080 (100wrms @8 ohms)+ Amity
Out of all the above, the
2A3 SET + Harmony One bested it for me.
In most of the tracks, we switched back & forth between the SS and SET amps & the Amity and Harmony One speakers. But with Pink Floyd, The Wall Signs of life, we did at great lengths analyze and below is what Ive summarized what we experienced.
The below review is purely based on my own musical experience- 2A3 SET + Harmony one
1. The first thing that comes to my mind is enveloping experience
2. Notes from 2A3 and Harmony one combo were rich, full bodied experience. But in the SS notes were truncated. In The Amitys it was airier but then sacrificed on harmonics which was a no- no for me.
3. We were listening a 3 watts amp which was just enough to generate spl's in Virens 12 X 18 feet sized living room, & the SET shone in comparison. The Lyrita Harmony One speakers have a sensitivity of 93 dB/watt, which is just about adequate for low powered amps. Whereas the Amitys have sensitivity of 95db
4. I felt that in the Amitys sounds were coming from the 2 drivers as if being streamed from different sources whereas from the One it was just one. What youd describe as coherency which is a big^ big + for me.
5. You could follow rhythms and melodic patterns if you started to concentrate on a single instrument. There were tremendous nuances unveiled.
6. I felt the above combo is purely for music in which there are few instruments.
7. I felt both amplifiers ( 2A3 and 6C33C) could fill up the space with music. However, when pushed hard, drums, the 2A3 SET started sounding a bit strained, showing that its limit had been reached. The 6C33C continued playing with good control, and no strain
Kindest regards
--
Bryston + B&W