Ravindra Desai
Well-Known Member
Sorry, I was logged in but was attending to some guests.
I'll try to answer your questions that were specific to the gear and algorithms.
But before I begin, I have to mention something about Tuff in public that I did in private:
He got bored for half a day and still kept looking for what he could like. He thus has been an ideal examiner/ reviewer and I was lucky to have him.
Also, while I was with him, he never showed his feelings thus keeping my morale up all the time.
So, again, thanks a lot Tuff!!
It is proper AR not an AVR. These days, the V part is handled by the TV/ projector. e.g the HDMI switching. So I did not feel the need to include it.
A regular AVR has auto-calibrate! So what does it calibrate? Differences in speaker tones (EQ) because the speakers are different, impedances (Gain), distances (delays) and in the process accounts for room acoustics also.
What if the speakers were all the same and its placement correct?
Then I would not need EQ, Gain and Delay adjustments, right? My speaker system is exactly that and the 2.1CH configuration does not allow for wrong placement. So in a way mistake proof (Poka Yoke)
Now for the controversial room acoustics correction: Should the room acoustics be treated using electronics or using sound absorbing material? Why over-ride A.R.Rahman just because your room is not acoustically correct?
But perhaps the biggest dis-advantage of auto calibrate is that you have to do it every time you change the curtains, seating position, speaker, amps etc. making it very set-up specific. More over it leaves a bug in your head if you are best calibrated at that specific moment diverting you away from your content.
My system continuously senses the incoming signal (DSP does this) and impedance (amp does this) in run time and does the required corrections automatically, internally, leaving you in peace at all times.
Do you use different speakers for stereo and keep it asymmetrically? Then follow the same for Surround listening.
About volume normalization: The DSP checks for loudness of a sound passage (not a particular frequency which would make it frequency specific) and compares it with the set volume level (master volume) and corrects the passage volume level to match the set volume level. This allows you to hear the faintest of night bug and the loudest of explosion w.r.t the set volume level without hampering the impact of either.
Yes, this feature is also a part of my DSP.
Based on the resonance frequency of my subwoofer, I set the subsonic frequency cut-off (High order HPF cut-off).
Based on the power rating and sensitivity of both, I set the relative and total gain so that at full volume the amplifier does not clip nor the speakers distort.
I do not do any frequency related correction as it would make it speaker specific.
I admit I was, and apologize for being adamant about using MP3 and analog line out from PC.
Changes to the input signal chain (better source and source material) will greatly improve the stereo performance also. I regret not carrying the SPDIF input module with me.
With that said, as Tuff rightly mentioned, my speakers are my weak link. I admit it.
But I need something to demonstrate my electronics and still be able to fearlessly carry it in MSRTC bus and keep it portable.
Packing and unpacking these 6 times in a day was not easy. But at least I was not nervous of scratching them or breaking them and would not worry much even if I did.
Also, I admit that I was worried that if I carry the best of speaker system package, I would not be able to convey the role of my electronics in the resulting system quality.
Yes, better the speakers, better will be the system performance, both for stereo and surround.
With my 2.1CH surround processing there is loss in panning but no loss in content even if there is no L and R channels.
You can try it with your AVR but you have to let auto-calibrate engine know before hand that you don't have L and R, else you will loose content.
I hope that I have covered all your answers. There were posts submitted even as I was typing my answers. So kindly let me know if I missed anything.
Wow! Thanks to all for your interest!!
Regards,
Ravindra.
I'll try to answer your questions that were specific to the gear and algorithms.
But before I begin, I have to mention something about Tuff in public that I did in private:
He got bored for half a day and still kept looking for what he could like. He thus has been an ideal examiner/ reviewer and I was lucky to have him.
Also, while I was with him, he never showed his feelings thus keeping my morale up all the time.
So, again, thanks a lot Tuff!!
Wow, feels good to hear. Can you add a bit on how it sounded compared to auto caliberated sound from AVRs? Did you experience any audible difference?
Exactly my question too...can mr.ravindra's box act as a pure preamp. I would love to hear how it compared to a proper avr
I am currently using an AVR without any calibration. So, it took a lot of iterations for me to get the right gain mix between the front and back speakers. Also, this mix needs to be changed whenever I switch from Indian movies to English movies. Hence I wanted to understand how DSP handled the volume normalization. I am a fan of lesser buttons. Also, the preamp capability question from the other FM opened up an option of pre-power route. So, this system is definitely intriguing. I am glad that you, Hari and Ravindra were able to meet. Thanks for the detailed review and answers to all the questions posted!
It is proper AR not an AVR. These days, the V part is handled by the TV/ projector. e.g the HDMI switching. So I did not feel the need to include it.
A regular AVR has auto-calibrate! So what does it calibrate? Differences in speaker tones (EQ) because the speakers are different, impedances (Gain), distances (delays) and in the process accounts for room acoustics also.
What if the speakers were all the same and its placement correct?
Then I would not need EQ, Gain and Delay adjustments, right? My speaker system is exactly that and the 2.1CH configuration does not allow for wrong placement. So in a way mistake proof (Poka Yoke)
Now for the controversial room acoustics correction: Should the room acoustics be treated using electronics or using sound absorbing material? Why over-ride A.R.Rahman just because your room is not acoustically correct?
But perhaps the biggest dis-advantage of auto calibrate is that you have to do it every time you change the curtains, seating position, speaker, amps etc. making it very set-up specific. More over it leaves a bug in your head if you are best calibrated at that specific moment diverting you away from your content.
My system continuously senses the incoming signal (DSP does this) and impedance (amp does this) in run time and does the required corrections automatically, internally, leaving you in peace at all times.
Do you use different speakers for stereo and keep it asymmetrically? Then follow the same for Surround listening.
About volume normalization: The DSP checks for loudness of a sound passage (not a particular frequency which would make it frequency specific) and compares it with the set volume level (master volume) and corrects the passage volume level to match the set volume level. This allows you to hear the faintest of night bug and the loudest of explosion w.r.t the set volume level without hampering the impact of either.
Yes, this feature is also a part of my DSP.
Based on the resonance frequency of my full range speakers, I set the crossover frequency.Ravindra also mentioned that he had programmed the DSP in tune with the speakers he had brought.( Something he can perhaps elaborate more upon..).
Based on the resonance frequency of my subwoofer, I set the subsonic frequency cut-off (High order HPF cut-off).
Based on the power rating and sensitivity of both, I set the relative and total gain so that at full volume the amplifier does not clip nor the speakers distort.
I do not do any frequency related correction as it would make it speaker specific.
@tuff - How do you rate this for Stereo listening ? I understand that the system has impressed you with its surround capabilities but would like to hear more about its Stereo capabilities.
I admit I was, and apologize for being adamant about using MP3 and analog line out from PC.
Changes to the input signal chain (better source and source material) will greatly improve the stereo performance also. I regret not carrying the SPDIF input module with me.
With that said, as Tuff rightly mentioned, my speakers are my weak link. I admit it.
But I need something to demonstrate my electronics and still be able to fearlessly carry it in MSRTC bus and keep it portable.
Packing and unpacking these 6 times in a day was not easy. But at least I was not nervous of scratching them or breaking them and would not worry much even if I did.
Also, I admit that I was worried that if I carry the best of speaker system package, I would not be able to convey the role of my electronics in the resulting system quality.
Yes, better the speakers, better will be the system performance, both for stereo and surround.
a small doubt, if I disconnect my Front Speakers in AVR, and keep only Surrounds and center, and changing the Center speaker to Large with Recaliberating the Audessey will the effect be nearly same ? @elangoas could pitch in ..
With my 2.1CH surround processing there is loss in panning but no loss in content even if there is no L and R channels.
You can try it with your AVR but you have to let auto-calibrate engine know before hand that you don't have L and R, else you will loose content.
I hope that I have covered all your answers. There were posts submitted even as I was typing my answers. So kindly let me know if I missed anything.
Wow! Thanks to all for your interest!!
Regards,
Ravindra.