Artist intended - what he heard at his desk while mixing. It’s done at a controlled studio environment where the devices used adheres to a minimum standard of flat frequency response at his listening position.
If you can recreate that environment at your home it’s possible to hear wheat they heard there at the studio.
If you get a flat frequency at the listening spot in your room (no matter how you acheive it- dsp / room treatment ..) you essentially can set up a benchmark here similar to the artists desk.
Playing back on this setup would be identification to what he heard at the studio. Larger the deviation of this response means you are distorting the recording. But it isn’t essentially a bad thing if it pleases your ear.
Totally get where you are coming from. I was exactly here about 2 decades back. From an academic point of view this is a very valid point of view. However from a practical point of view, there are
far too many variables which makes the home listener's job way more adventurous. This is very much like the digital vs analogue discussion.
-Studio acoustics vs homes
-Home listener's preferences vs what the artist / studio engineer thought sounded right with the distribution master
-Tonal quality of loudspeakers which cannot be measured
-Driver cone materials
-Enclosure design and materials
-Cone vs ribbons vs panels
-What loudspeaker, amp combination entertains you the most in your specific home environment. Some of the home systems can make your jaw drop !
-What kind of system work with majority of your music collection? This is very important. Even if you try various studio gear combinations, they all sound different. Many seasoned studio engineers have preferences for studio gear especially loudspeakers even though they all measure almost the same.
Your advice will not work for majority of home listeners. So, this discussion is just an academic one. But respect your point of view.
PS - My post is purely from the point of view / belief that a music system's only function is entertainment. It needs to appeal to the senses and provide entertainment for the senses with majority of a person's music. Most high quality home gear use good measurement as a baseline during the initial phases of design and development and then use subjective means to go higher and maybe even purposefully deviate a bit to achieve subjective levels of performance to achieve this end. This is a well known and accepted practice. So this is not even a discussion between Objectivists and Subjectivists. This thread should be renamed " Can mainstream measurement criteria fully and accurately measure all parameters that contribute to a high performance and fully entertaining audio product across the entire spectrum of discerning listeners ? ". The so called subjectivists are pretty much looking at this discussion from this point of view. In case you were wondering what the heck is going on
....Last Saturday, I listened to Tannoys, KLH Model 5, Graham audio in the same room with a lot of my music. Graham audio and Tannoy has studio lineage but they both sound very different. I can clearly see why one type of listener will like one over the other. What measurement can predict that ? That is the kind of thinking we have. Bunch of nuts that way. But that is the fun with this beautiful thing called music. Cheers !