I think most of us are making judgement without ever trying a good power cord or power conditioner. If ONLINE pure sinewave UPS's were good for music than every one would have been using UPS around the world by now as it is readily available.
SKR, only in India do we have a huge difference in demand and supply of electricity, and where the utility companies do not bother about efficient distribution of electricity. I am of course completely leaving out third world countries. I remember in Delhi small scale units used to steal power by just throwing a wire with a hook on the overhead electrical cables. Hopefully such days are gone.
In most advanced countries, reasonably clean power is available 24/365, and for general household usage there is no need for an UPS. Of course UPS and generators are installed for critical application such as a hospital, a computer centers, etc. In these places Audiophiles try to take their products one step ahead of the competition by power regeneration, power cleaning etc.
My point is that in India, there is no guarantee that power will not get disconnected any minute, leave alone clean power. if you connect a multi meter to the mains at 220V, you will see the needle constantly jumping. That is the reason I was looking at an online UPS as against a servo controlled stabiliser. If the UPS provides constant voltage and frequency within tolerable limits and adds a small back up time to boot, why not? They certainly look better that a stabiliser !!!
In any case, over the next few days I plan to visit the offices of Numeric, Krykard, and Vertex to see what their technologists say. Things will be clearer in my mind after that. Of course an UPS has the liability of a battery maintenance. At the same time, modern UPS come with maintenance free batteries that are warrantied for 2 years.
SKR said:
I agree there is a huge mark up in high end audio specially power cords and plugs and interconnects and speaker cables.. Also a customer doesn't really get a chance to audition and hear the differences specially home auditioning in his system. This leads us to make generalised assumptions based on electrical properties of cables or based on general assumptions only. I also used to think the same way before but changed my mind after listening to differences myself.
I don't think any of us have any issue with good speaker cables and interconnects. I am sure all of us use good to excellent cables and interconnects. I can certainly subscribe to the statement made by van del Hul when he says his optical cables have special convex spherical lens at both ends that enable more focussing of the light beam. Initially when I installed my system I used cheap cables purchased from local shops. In a short period I replaced all of them with cables and interconnects from AR, Tara Labs, va den Hul, DAC, etc. I am quite happy with the output now. Will I spend more? At least for now, I plan to spend money on room acoustics, that I think will have more value to delivering good sound.
SKR said:
Now how much one should pay for these cables has to be decided by every indivisual based on his pocket and his system. There are very good reasonably priced Interconnect and power cables and power cords available but we don't get chance to try and select. and without listening it is very difficult to decide. If a system is of moderate value say NAD integrated amplifier with a NAD CD player with a bookshelf speaker probably expensive power cords may not make much difference. But surely good Interconnects and speaker cables will make sound much better. I must have tried more than 15 brands of interconnects/speaker cables and if i change one interconnect in my entire chain i can notice the difference. I give lot of importance to all kinds of cables. As one move up and start upgrading his system he feels real need to upgrade his cables to get best out of his system. There definitely is LOT OF hipe and over pricing no doubt but we certainly cannot ignore benefits of good cables power or system cables and power conditioners. Also it is not necessary that a higher priced cable will sound good for sure. So it is a big RISK unless you hear it yourself.
The main reason of higher price is limited market and emotional blackmail of music lovers. An audiophile will always be looking to improve his system as he is never satisfied and this is what manufacturers are looking at.
Also there are people who are willing to pay these prices in US and europe specially.
Just try to change wall outlet to which your system is connected to Hubbel or PS Audio and I am sure you will notice the change.
I agree this is an individual choice. But as I have read somewhere, I think we audiophiles, if we may call ourselves that, give a lot of importance to the brands, looks, and specifications of the equipment that we buy. Agreed there is a minimum specs that must be met. Beyond that, it becomes a matter of choice and pride. It is like the old days in school when my father was always stronger than yours. I fuss so much over my system that many days I wonder if I am at all enjoying the music and the movies. My hands have to be washed, the media has to be cleaned, the room has to be vacuumed, etc. Against this, my son just comes in, plonks a DVD, and enjoys himself immensely. Sheeesh!
My wife listens to music on a simple 2-in-1 for an hour or two in the morning, and she just does not care about anything except that the music should play. I was the one who went to umpteen shops, heard umpteen systems, before zeroing in on a 2-in-1 that I felt sounded nice.
Believe me, the max music I hear is in my car's system when I go in for long distance drives. I have a simple JVC system connected to Boston speakers. No sub, no power amplifier, nothing. But for some strange reason, the speakers completely disappear, and the music floats across the car at your ear level. The speaker cables are what came with the car. Maybe If I change the cables, the sound may be better. But my JVC dealer and I agreed that this sound is good enough and not to rip the car apart to change the cables.
I have sat in many cars with hyped up music systems, and always felt like running back to my car and 'cleaning' my ears with a few minutes of nice music.
When we listen to music in a car we readily accept the environmental noise made by the engine and the traffic. But will we accept such a thing in our music and HT rooms? No way.
Let us get down to enjoying our music and movies.
Cheers