The essence of photography

i shot these photos this morning. just half an hour walk uphill from where i live.
the photos are mediocre but the view was exhilarating and walk literally breathtaking.
some of the photos were taken with my old Minolta DImage.

Flickr: prabinkpg's Photostream

Awesome location moktan ! Would love to live in a location like that

Staxxx,
I remember reading this. The Panasonic lenses are also anyway mostly either Leica themselves or Leica licensed..you cannot go wrong with that.


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I am very happy with the performance of the Tokina AT-X PRO AF 28-70mm 1:2.6-2.8. Build quality, handling, optics and colors are as good as (or possibly better than) pro grade Nikon glass. At less than half the price :)

dance of the dolphins | Flickr - Photo Sharing!

dance of the dolphins | Flickr - Photo Sharing!

classroom | Flickr - Photo Sharing!

I have shelved my plans to buy the obscenely expensive Nikon 14-24 2.8 (new 100K/used 70-80K) and instead I am looking at Tokina AT-X 16-28mm f/2.8 PRO FX Lens (new 55K) or Tokina 17-35mm f/4 AT-X Pro FX (new 40K). I am more incline towards the 17-35 f/4 as it is cheaper, lighter and probably as good as its bigger brother. The f/2.8 of 16-28mm will probably not be very effective and is not really required for landscape photography.
 
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Great find Ajay, the 17 to 35 sounds great and f4 is enough...let us know your findings once you get it !


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Great find Ajay, the 17 to 35 sounds great and f4 is enough...let us know your findings once you get it !


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arj

It was good talking to you on the phone. If your evening had not been occupied by official matters we could have had a long session of music, photography, booze and hastily concocted fusion cuisine!

After reading all the reviews and considering all the pros and cons I have decided to sell my Nikon 18-35 and buy a Tokina 17-35. The Tokina full frame wide angles are looking very interesting. Pricing comparison between candidates from Nikon and Tokina:

Nikon 14-24mm f/2.8mm (Best price used 70-75K if one can be found)
Nikon 17-35mm f/2.8 (I found one today in OLX/Mumbai for 50K)
Nikon 16-35mm f/4 (I came across one for sale in OLX/Hyderabad for 65K)
Nikon 18-35mm f/3.5-4.5 (used 18K)
Tokina 16-28 f/2.8 (new 55K after negotiations)
Tokina 17-35 f/4 (new 40K after negotiations)

The Tokina 17-35 is 40K. Good price. It comes with a replacement warranty. It weighs 600g. Perfect weight for D700. It accepts filters. It is supposed to have the least distortion out of all the lenses mentioned above. Apertures below f/5.6 are more or less irrelevant for outdoor landscape photography. Based on my experience with the Tokina 28-70, I am fairly confident that the Tokina 17-35 will be at least as good as Nikon 17-35 which is more than twice the price.

Google Translate

Tokina 17-35mm f/4 Review

Tokina AT-X 17-35mm f/4 Pro FX Lens Review
 
A small body of water in a nearby park has been my regular shooting spot for the last few sessions. The mild, mid-day light of early winter is offering very little color or contrast to play around with. In the evening the light has started fading by 5.30 pm. But at the moment the sunlight between 7 and 8.30 in the morning is perfect for photography :)

chaatbir | Flickr - Photo Sharing!

birdland | Flickr - Photo Sharing!

birdland | Flickr - Photo Sharing!

stillwaters | Flickr - Photo Sharing!

stillwaters | Flickr - Photo Sharing!
 
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I am happy with the progress I have made in shooting with natural light and now I want to learn how to shoot indoor and outdoors with the Elinchrome D-Lite 400's which I bought a couple of months ago. Yesterday I traded in one of my lenses and bought a Nikon SB 700 speed light. Do we have anyone on the forum who has experience in using on and off camera flashes?

Nikon SB-700 : The Basics... a Guided Tour of the Nikon SB-700 Speedlight Flash - YouTube

Elinchrom D-Lite IT 4 unboxing and first use - YouTube
 
La Defense | Flickr - Photo Sharing!

arj

Good one Arjun! A horizontal wide angle shot (18-20mm) with the rain drenched expanse in the foreground and the entire edifice of the buildings in the background would have been very interesting. Preferably with a tripod. I have completely stopped taking hand held shots and may even dump the monopod soon. A light weight carbon fibre tripod is the way to go! Something like the Manfrotto 190Cx Q90.

I sold the Nikon 18-35mm and bought a SB 700 flash. I am now on the lookout for a Tokina 17-35mm f/4 or Tokina 16-28mm f/2.8. Unfortunately neither of them is available with the importers in Delhi, Mumbai or Chennai. I find the Nikon 17-35mm and 14-24mm grossly overpriced so I am not considering either of them. I am absolutely thrilled with the Tokina 28-70 2.8 lens which I bought recently. The seller did not have the hood but I managed to find a metal screw in hood for 200 bucks which fits perfectly!

My lens arsenal is 50% complete with Tokina 28-70mm 2.8 (Pro 1) and Nikon 80-200mm 2.8D. The other 50% will probably comprise of Tokina 17-35mm f/4 and Nikon 105mm 2.8D micro.
 
hi ajay, only carried the 50/1.8 and went as far back as I could. these are the times I miss a 20/24mm...will get one. love working with the primes now and i think a wide angle +50 + 85 are all I need along with a 70-300.

Since I am not as much in serious photography (just a few hours per month/special occasions) these themselves seem like an overkill but the results really nag me on :)


but could learn a lot from your technique/Knowledge of the camera..I still struggle in things which should be instinctive
 
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arj

The results should always keep nagging you on. Otherwise you will be guilty of having mistreated your (wonderful) Nikon D700 :)

From the point of view of travelling light and spending light, it makes sense to go with primes. But try to borrow or hire a pro grade Nikon or Tokina FX zoom lens and shoot a few hundred pics over a weekend.

Personally I believe that if we want to make good use of our DSLR, we need to pass through several zones of enlightenment:

Zone 1: Master the shooting and custom settings menu of your DSLR.
Zone 2: Develop a decent understanding of Aperture, Shutter speed, Exposure compensation, ISO and White balance.
Zone 3: Develop an instinctive understanding and feel for the wide (18-28mm) normal (28-80mm) and telephoto (80-200mm) focal lengths.
Zone 4: Develop your composition skills only after you have mastered the technique of achieving consistently good exposures.
Zone 5: Buy a full frame DSLR and professional glass to go with it.
Zone 6: Shoot alone! Never as part of a group. Shoot for yourself. Never for appreciation or acclaim from others. Forget everything else about your life when you are shooting.
Zone 7: Understand light and dark. An understanding which can raise photography to the level of philosophy :)
 
While capturing images on camera my inclination is to shun the extraordinary and extol the ordinary. Most mainstream films, television programmes, magazines and photography books focus on superficially spectacular or sensational subjects. They encourage instant photography rather than timeless photography. Most photographers seems to believe that if they shoot something beautiful or eye catching (a sunset, a boat at sea, an exotic flower, bird or animal, a famous monument, landscape or celebrity) then they have a 'hit' on their hands. A pic which when they upload on Facebook will receive a couple of hundred "likes". As a judgement of our photography skills a "like' on Facebook or a "favorite" on Flickr is only meaningful if it comes from a person who is technically qualified to pass a judgement. Non photographers normally "like' a photograph because they like the subject. They neither understand nor care for the skill (or the lack of it) which went into making the photograph.

Personally I have simplified photography down to capturing the effect of light on our everyday world. Light filtering through trees, clouds and empty spaces. Early morning and evening light. The absence of light at night. Between the shadow and the highlight there are a million images waiting to be captured. On weekends I prefer to be out the whole day with my daughter and my D700 for company. Sometimes my wife accompanies us. We are normally out of the house by 8 in the morning. Commuting is strictly by local bus, rickshaw or walking. Meals and snacks from roadside eateries. The weekend which has just passed had its ups and downs. The down was that on Saturday we wasted half a day (and 500 bucks) on viewing the infinitely silly, boring and trivial "Life of Pi". The up was that Sunday passed off gloriously. An early morning shoot of the deserted piazza of Sector 17 followed by breakfast at the coffee house. Followed by a full day of shooting, snacking, and mingling with strangers at the Chandigarh carnival. As a sideshow there was a vintage car display and I had a great time shooting l-o-n-g exposures of vividly painted Mercedes, Austins, Beetles in pitch darkness. We finally returned home in one of the vintage cars and finished off the day with a couple of scotches and sodas.

In my earlier post I had mentioned that one should avoid seeking applause or admiration. Easier said than done! Since birth we are taught to look at ourselves through the eyes of other people. We are constantly striving to win the respect, admiration or affection of parents, teachers, employers, neighbors, relatives and friends. It is never enough for us that we have done something well. Other people (the more, the better) have to admire our work before we actually start believing that we have achieved something.I am breaking my own dictum by seeking the approval or opinion of others by uploading images on Flickr. Human beings seldom practice what they preach :)

A picture of my daughter with some other kids. I attempted to enhance the effect of sunlight falling on the children by capturing the shadows in the background in greater detail. I decided to include the bystander in the frame because I liked the idea that I was viewing the children, they were viewing me and the bystander was viewing all of us. The Tokina 28-70 2.8 ( my current favorite) renders color very nicely. But its bokeh is noisy as compared to the stunningly creamy and cheesy bokeh of my Nikon 80-200 2.8D. I am not happy with the background but I like the light falling on the children and the symmetry (unintended) of their positions.

f/3.5. 1/2000. 70mm. Matrix metering.

song of the little road | Flickr - Photo Sharing!
 
I was thinking of buying a lens from B&H (U.S. based online store). The cost of the lens is 669$ (37K). Shipping to my home address is 134$ (FED EX) and 64$ (UPS Worldwide). Exemption on custom duty for importing goods to India seems to have been enhanced to 35K.

Is it safe to have the lens shipped through UPS Worldwide? Would the local delivery be made through the postal department or a courier? What would be the approximate custom duty? Would the duty be collected by the domestic delivery service? Has anybody imported stuff through B&H or Adorama?
 
As far as I remember for ups and FedEx they themselves deliver at home and collect the duty from you. Both ar e pretty safe and I have has tubes cables, amps and speakers do e thru them.

I am assuming your shipment will be double boxed anyway, so you should be ok


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While capturing images on camera my inclination is to shun the extraordinary and extol the ordinary. Most mainstream films, television programmes, magazines and photography books focus on superficially spectacular or sensational subjects. They encourage instant photography rather than timeless photography. Most photographers seems to believe that if they shoot something beautiful or eye catching (a sunset, a boat at sea, an exotic flower, bird or animal, a famous monument, landscape or celebrity) then they have a 'hit' on their hands. A pic which when they upload on Facebook will receive a couple of hundred "likes". As a judgement of our photography skills a "like' on Facebook or a "favorite" on Flickr is only meaningful if it comes from a person who is technically qualified to pass a judgement. Non photographers normally "like' a photograph because they like the subject. They neither understand nor care for the skill (or the lack of it) which went into making the photograph.

Personally I have simplified photography down to capturing the effect of light on our everyday world. Light filtering through trees, clouds and empty spaces. Early morning and evening light. The absence of light at night. Between the shadow and the highlight there are a million images waiting to be captured. On weekends I prefer to be out the whole day with my daughter and my D700 for company. Sometimes my wife accompanies us. We are normally out of the house by 8 in the morning. Commuting is strictly by local bus, rickshaw or walking. Meals and snacks from roadside eateries. The weekend which has just passed had its ups and downs. The down was that on Saturday we wasted half a day (and 500 bucks) on viewing the infinitely silly, boring and trivial "Life of Pi". The up was that Sunday passed off gloriously. An early morning shoot of the deserted piazza of Sector 17 followed by breakfast at the coffee house. Followed by a full day of shooting, snacking, and mingling with strangers at the Chandigarh carnival. As a sideshow there was a vintage car display and I had a great time shooting l-o-n-g exposures of vividly painted Mercedes, Austins, Beetles in pitch darkness. We finally returned home in one of the vintage cars and finished off the day with a couple of scotches and sodas.

In my earlier post I had mentioned that one should avoid seeking applause or admiration. Easier said than done! Since birth we are taught to look at ourselves through the eyes of other people. We are constantly striving to win the respect, admiration or affection of parents, teachers, employers, neighbors, relatives and friends. It is never enough for us that we have done something well. Other people (the more, the better) have to admire our work before we actually start believing that we have achieved something.I am breaking my own dictum by seeking the approval or opinion of others by uploading images on Flickr. Human beings seldom practice what they preach :)

A picture of my daughter with some other kids. I attempted to enhance the effect of sunlight falling on the children by capturing the shadows in the background in greater detail. I decided to include the bystander in the frame because I liked the idea that I was viewing the children, they were viewing me and the bystander was viewing all of us. The Tokina 28-70 2.8 ( my current favorite) renders color very nicely. But its bokeh is noisy as compared to the stunningly creamy and cheesy bokeh of my Nikon 80-200 2.8D. I am not happy with the background but I like the light falling on the children and the symmetry (unintended) of their positions.

f/3.5. 1/2000. 70mm. Matrix metering.

song of the little road | Flickr - Photo Sharing!
with apologies for going seriously off track:
recently i read a book on jazz called But Beautiful...much literature on jazz tend to veer towards the encyclopaedic and the magisterial.. except for novels like Tony Morrison's Jazz and Ondatjee's Coming Through Slaughter, not many i have read have exploited/explored the scope of jazz in fiction...But Beautiful is different...it tries to recreate in a rambling, at times stream of conscious kind of narrative the imagined biography of jazz greats like Monk, Mingus, Ben Webster etc...
for example everyone knows how Monk took the hit for Bud Powell when cops discover the latter's heroin...the story is that Monk is arrested instead of Powell has his cabaret card confiscated so that he cannot perform his jazz publicly..
this episode is re-imagined in this fashion...note the syncopated prose, the brilliant angularity of the images..almost like chops from Monk's piano...

cops approach the cats in the car. monk snatches powell's heroin and throws it out.
"Monk snatched it from him and sent it butterflying out of the window, landing in a puddle and floating there like a little origami yatch"
the cops approach...
"Monk and Bud sat and watched the red and blue lights from the prowl car helicoptering around them, rain sweating down the white glare of the windshield, the metronome flop of the wipers. Bud rigid, holding himself barbed-wire tight."
monk is interrogated.
"- What's your name?"
-Monk
-You got ID?
Monk's hand moved towards his pocket-"

the cop sees the ID
"Thelonious Sphere Monk. That you?
-Yeah. The word came clear of his mouth like a tooth.
-Big name.
Rain falling into pools of blood neon"

Cop's seize monk's card, 'toss it like a cigarette into a puddle'.
the episode ends..
"Monk looked down at the rain pattering his photo, a raft in a crimson lake."
.........................................................................................................
it's quite interesting to read that the book begins with a 'note on photographs'

"Oil paintings leave even the Battle of Britain or Trafalgar strangely silent. Photography, on the other hand, can be as sensitive to sound as it is to light. Good photographs are there to be listened to as well as looked at; the better the photograph, the more there is to hear. The best jazz photographs are those that saturate in the sound of their subject. In Carol Reiff's photo of Chet Baker .....we hear not just the sound of the musicians as they are crowded into the small stage of the frame but the background chat and the clinking of glasses of the nightclub. ......."
 
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