Ajay, is there any reason you have fallen out of love of shooting with your Fuji? Or are you just taking a break?
Staxxx
I plan to maintain both Nikon and Fuji systems as both are great in their own way. Fuji is excellent at rendering detail, especially in low light, high contrast situations. It is a great camera for honing your technique and composing in the old fashioned, sans technology way.
It is a peerless camera for meditative and artistic photography of still life subjects. But it is not meant for shooting moving subjects or working in low contrast situations. IMO the two major upgrades future Fuji X series cameras require in order to become all round cameras are:
A phase detection auto focusing system
A reduction of the shutter/viewfinder lag
A full frame Fuji X will be rolled out sooner or later. I would be happy if instead of emulating a limited usability/limited affordability Leica M9, Fuji releases a full frame camera which focuses and shoots as fast as a Nikon or Canon FX while retaining the look, feel, light weight and build quality of the X series.
But meanwhile back to my old reliable. Nikon D700. I wish it had a 100% viewfinder, a bigger and brighter LCD, enhanced ISO performance till 3200 instead of 1600 and weighed around 300-400 g less
But one can't have everything so I will take it as it is. Because its focusing and metering is outstanding. And because images shot with a D700 and Nikon primes have a complexity and layering which I have seldom seen in any other camera. Ultimately a full frame sensor is THE way to go. Shooting with the XE-1 and D700 has taught me that. The sensor is the soul of the camera. Bigger sensor, bigger soul