Just my 2 Cents...
I am posting on HFV after a long time.
I enjoy vinyl as well as digital music, and I have equipment for both (as well as tape). I started with LP records in the 80's, and never stopped. So it was not about getting back to vinyl like many others. I just added audio cassettes, CDs, Blu-ray disks and Hi-res digital download purchases on the way.
Over the years I realized a few things that I would like to share:
- A vinyl record sounds like one, only if there is no digital electronics in the path. For instance, if you connect a turntable to a receiver, most probably you are wasting time and money.
- Albums usually sound the best in the format they were first released in. Every conversion messes up the sound further.
- LPs in the market that are marked as 'digitally remastered' hardly ever sound as good as the originals.
- Albums assembled on a computer console by pasting loops and pieces on the singers voice sound very boring and tiring.
End of the day, if I have a recording in multiple formats I usually prefer the LP record (or 45RPM if available). There are exceptions, and I do have some LPs that disappoint me. For instance, some studio recordings of Jagjit Singh sound pretty ordinary on LP, while their Come Alive concert(ECSD 2819/2820) is great on vinyl. Sudha Malhotra singing Jagjit's compositions on a 45rpm (S/45NLP 119) sounds fabulous! There are cassettes that sound better than the same music on CDs (e.g. Begum Akhtar ghazals) and vice-versa. I gave off hundreds of cassettes to people on this forum and outside, but I retained a about two hundred that I thought sounded better than the same music on other formats (if available).
So there are no rules, Musicians and engineers created great music on all formats, and there were also folks who messed up stuff on each format. All said and done, I personally feel that some of the best capture of human voice, emotion and nuances happened on LP records, and reached its pinnacle on 45rpm vinyl. The worst came in the late 1970s - 90s, though some great recordings were made during that period too. It is shocking how the music from the late 40s and 50s comes out so clear and crisp compared to recordings 50 years later! Check out Anmol Ghadi (ELAP 4056) or Lahore (45NLP 1027).
Water Lilly Acoustics recorded some of the best sounding Indian music on CD. They claim to have used a lot of analog equipment in their process.
Regards,
Sharad