I firmly believe that no system can completely bring out what the recording engineer intended one to hear, also there is no neutral setup in existence AFAIK.
I do understand and agree that you have highly capable setup which can clearly differentiate between recordings.
From my experience with Nordost cables (from blue heaven and up) with different setups have always made me feel that they open the components and make them reveal their characteristics more than most of the cables are capable of. Have also compared them with many other cables and some were uber expensive.
Have not come across any system which got the edginess in its sonic signature due to nordost cables, but have experienced them revealing bad components.
I am not a big fan of their power cables.
If i do come across any decent setup which sounded bad after the addition of nordost cable then i will definitely share it with you.
Thanks for your insight
Cheers.
Wow, this thread developed too far without participation from me
About the first comment, I actually had a good record engineering friend come over with masterings that he created. He played them on my setup and told me "That is EXACTLY how I mastered them and intend to hear them when played back". His words which really made my day...as my goal of getting the system to play back the intention of the recorder's idea is what I set out to accomplish.
Having said that, my system is actually VERY revealing which ends up limiting what I can play and enjoy. In that sense, I shot myself in the foot, but thats ok. I feel that much closer to the recording and the intent.
Also, the cable I have most experience with in the Nordost lineup is the Valhalla. Apart from power cords, signal cables, I've even experienced it as a tone arm cable in my VPI tonearm. In every case, it tilted my system to the cooler side of neutral WITHOUT FAIL. That can be interpreted as "revealing" and "transparent" etc., but I KNOW that it is spotlighting certain frequencies over others. It can easily make a system sound revealing and transparent. However, it can ALSO upset the balance of a neutral system and I hope you can see why that is this case. I think we BOTH agree to the general character of the cable, just we are seeing it under different lights.
Anyhow, about your comment regarding reviewers etc, man they sure get good equipment but have you EVER seen their rooms? In every magazine, every review I've read be it from Stereophile, Absolute Sound, whatever....they NEVER show their rooms. I MUCH rather prefer Japanese reviews (though I don't understand a single sentence in Kanji), as they show HOW the equipment is used, where it is placed and even other components that are SIMILAR in functionality to the equipment they are reviewing. Now THAT makes much more sense as it lets the reader relate.
What the hec does an "associated equipment" page at the end of the review do any good to the reader? It read just like what it is....a stagnant list.
So again, I maintain, Valhalla cables are just too sharp and trebly for my tastes and the kind of systems I like to build and listen to. They MIGHT be someone else's gold, but they are completely USELESS in my world.
In fact, if adding the Valhalla cable makes my system synergy better and more "right", I know I screwed up in matching the components etc.
