Hello Vijay, I have one of these awaiting restoration. Actually i have plans to use it at a guitar amplifier but that's for a different story
So coming to your situation, given that your phono input is working, that's a great sign. It means that your amplifier is actually working. Let me tell you why
The Ahuja TM50 typically has 4 x EL84 and 2 x ECC83. The amp has 3 microphone stages, the third microphone stage is wired through a selector switch and is multi-purposed to 3 inputs, namely Mic-3, Phono and Aux. The resistors which you mentioned across the Aux socket and the resistors across the phono socket, are as follows:
Although there is a single tag-board leveraged for both inputs, they actually have separate shielded cables running below into the chassis. Here is the under-side view:
Now, here is a picture with the cables, marked. The Green arrow show the cable running originating from the Mic-3 socket, the blue arrow shows the cable coming in from the Aux socket and the red arrow shows the cable coming in from the Phono socket. All these three shielded cables are grouped up and follow the path market in yellow right to the selector switch on the front panel.
From the selector switch, the circuit is taken directly to the Mic-3/Aux/Phono pot and then on the one half of the ECC83 as you can see in the picture below:
This amp uses 2 x ECC 83 tubes, three halves of the 2 x ECC83 tubes are used, one each for each of the inputs and remaining half is used as a driver for the 4 x EL84s.
So my point is. If your phono input is working, then the next thing to do would be to check if the Mic-3 input is working. As all these 3 inputs are wired to the same stage circuit, the phono input working signifies that all is well with the tube and the pot. So check the circuit between your Aux input and the 3-way selector sliding switch. If the circuit is fine, then its the switch. These switches usually fail as contacts get corroded. You can check the switch continuity using a multimeter. It its the switch, first try spraying WD40 into the switch and operating it for some time to clean up the contacts, if this does not work then replace the switch. All these parts are readily available at local electronics stores.
Disclaimer:
- please excuse the untidy amp pictures, this amp was lying in the godown of a public address systems service provider for nearly 30+ years and I am yet to start work on it
- in the early times, it was common for these public address amplifiers to be paired with HMV calypso turntables or small bed-type mono portable cassette recorders for playing music over public address speakers. Now, the cassette recorders usually came with headphone jacks which were plugged into these aux inputs so Ahuja generally used these resistors across the aux input for impedance balancing and also for dampening (to prevent overload). If you plan to use the amp with a source like a CD player for example, you can actually experiment with changing these resistors if you don't like the sound
