Cinema's greatest classics

Ajaybhai, Sorry for being offtopic. Reservoir Dogs is another movie which I liked to a point and which could have been great entertainer (not classical) but ruined by gross blood bath. Ear cutting scene is disgustingly creepy. Hate or violence doesn't take too much effort in the thinking and making. These days creative geniuses can't see beyond surprising their audiences and venturing in to areas which are not creative at all. It Seems people these days enjoy such movies. With passage of time people will become more and more numb and impotent to react to bad things in the name of all encompassing, broad minded, tolerant mind.

hitensitapara

With the passage of time people have become comfortably numb. Stories and images of violence no longer create any empathy for the victims. The audience, for cinema, television and newspapers needs this onslaught of violence like a drug. It spices up there bored and jaded lives.

Even on television 'war' is now beamed like it was a blockbuster film. Since the early '80's as television evolved and began taking hold, even newspapers have become louder and more sensational. Seeking new sensations is the mantra. Thoughts and emotions have taken a backseat. Instant highs and instant gratification are in the driving seat. The destination? A world full of perfect consumers stripped off their 'human' values and qualities.

YouTube - ‪Tarkovsky on Cinema‬‏

ANDREI TARKOVSKY'S CINEMA OF SPIRITUALITY

QUOTE from this link. Completely agree with the writer. Highlights mine.

"In the entire history of cinema there has never been a director, who has made such a dramatic stand for the human spirit as did Andrei Tarkovsky. Today, when cinema seems to have drowned in a sea of glamorized triviality, when human relationships on screen have been reduced to sexual intrigue or sloppy sentimentality, and baseness rules the day - this man appears as a lone warrior standing in the midst of this cinematic catastrophe, holding up the banner for human spirituality.

What puts this director in a class all his own and catapults his films onto a height inaccessible to other filmmakers? It is, first and foremost, his uncompromising stance that man is a SPIRITUAL being. This may appear to be self-evident to some, and yet it is just on this very point that 99% of cinema fails. Man's spirituality is quickly and conveniently pushed aside in favor of other more "exciting" topics: man's sexuality, man's psychology, sociology and so on. In today's cinema, if spirituality is dealt with at all, it is never treated as the foundation of our existence, but is there as an appendage, something the characters concern themselves with in their spare time. In other words, while in other films spirituality may be PART of the plot, in Tarkovsky's films it IS the plot; it permeates the very fabric of his films. It can be said that his films vibrate with his own spirituality. As he himself states, in all of his films the main characters undergo a SPIRITUAL crisis."
 
Last edited:
"We are trying to show how the heroine perceives the world. We are trying to show that she focuses on small things, on things which are close to her. She doesn't care about things which are further away from her. She is trying to limit her world, to limit it to herself and her immediate environment."
-Krzysztof Kie?lowski (Blue)

Krzysztof Kieslowski famous trilogy Three Colous (Blue,White,Red) are essential viewing for anybody who is interested in cinema. They were made in the early nineties with French funding. The three colors are the colors of the French flag and signify Liberty, Equality and Fraternity.

Blue, the first part of the trilogy deals with liberty. An individual's liberty, from emotional and intellectual bonds and entanglements. Juliette Binoche, the French superstar and actor, turned down a 'leading' role in Jurassic Park, to play Julie in Blue, saying she would rather play one of the dinosaurs than one of those characters :)

White, the second part is a black comedy and deals with the subject of equality. The first half of the film deals with the humiliation and 'inequality' of the naive and 'innocent' protagonist. After a few knock out punches, from his wife among others, he learns the rope. He learns how to survive and manipulate the system. He learns that 'money' can buy anything. He even fakes his own death, and frames his ex wife for the 'murder' in order to avenge his humiliation. (Was Raja Menon's 'Barah Anna' inspired by White? Same theme, but mercifully a different plot). But the final message of the film is that money's buying power is transitory and illusionary....

Red is generally considered the best film from the trilogy. A milestone in the history of cinema. Starring the eminently watchable Irene Jacob. The subject of the film is fraternity....You can do anything or be anyone, but without love and empathy, you are a nobody, and everything is pointless.

The other famous films by Krzysztof Kie?lowski are Decalogue, The Double life of Veronique, A Short Film About Killing, A Short Film About Love, No End.

Krzysztof Kieslowski
 
Once every ten years or so, that slumbering giant called Bollywood wakes up and makes a stunner!

A film that changes the landscape for years to come. A film that will remain alive and kicking, long after all the superstar 'gross' - ers have bitten the dust!

Jaane Bhi Do Yaaron, Ardh Satya, Bandit Queen, Hazaaron Khwaishein Aisi, Maqbool, and now Shaitan?

I have not watched it, or read much about it. But I can hear the drums pounding in the jungle, see the smoke rising from a fire, smell the stew cooking at a Bollywood feast! Forget the Dabaang's and Ready's. Go watch Anurag Kayshap/Bijoy Nambiar's (Paanch resurrected?) Shaitan :)
 
trinitron
Three Times seems to be visually enticing and seductive cinema. Would love to watch the film. It seems to be trying to recreate Wong Kar Wai's "In The Mood For Love" :)
 
Jaane Bhi Do Yaaron, Ardh Satya, Bandit Queen, Hazaaron Khwaishein Aisi, Maqbool, and now Shaitan?
Have not seen hazaaron khwaishein aisi. Jaane bhi do yaaron, and :thumbsup: maqbool are very good. Anurag Kashyap is talented man. Black Friday was good. I liked it not for the content but pavan malhotra's acting and directors visual perception of making a movie.
 
Well talking about Anurag Khashyap, I still find him one of the best directors of this era in Bollywood. But Dev D was not upto the mark, I had a headache in the middle of the movie.
 
trinitron
Three Times seems to be visually enticing and seductive cinema. Would love to watch the film. It seems to be trying to recreate Wong Kar Wai's "In The Mood For Love" :)

Aajay124 it looks like a wong kar wai style film in the trailer but its not its a korean film. three times has a very unique treatment.

and speaking about kashayp he is unoriginal and copy compositions from other films. he is hyped in india with the name of an original artist. but his 2010 release udaan by Vikramaditya Motwane was a great one!
 
trinitron

Mainstream audiences have been hard wired to respond only to conventional, tried and tested formulas. Therefore in an environment, where only mainstream cinema exists, and to a large extent that is the case in India and the US, it is very difficult to make a film which ventures into fresh and unknown territory.

Occasionally a talented, maverick director comes up with a small interesting film, which is accepted by the audience. The success of his first film, enables him to make a couple of more interesting films. If they also find an audience, then the director is 'accepted' by the 'moneybags', who then offer him a big budget and 'stars', and that is the end of whatever little originality, the director possessed in the first place.

A film dies the moment you sign a 'star' who has more clout than the director. A film dies when you have a 'producer' who has too much clout over the director. A film dies when it is targeted at a mass audience, because that mass audience exercises an invisible clout over the director, pushing and goading him into making a 'certain' kind of film. And we all know what that certain kind of film is. We have seen plenty of those!
 
i second on that ajay124 in Indian film industry i have met many people who writes different scripts hence they feel the real film would be different! now every single script is a different script! but the real film is always the same, cinema is not about story its about the 'imagery' the treatment the story is been told visually! now visually does not means great beautiful shots or the camera angles like a silly wannabe creative movie Shaitan. yea i watched the film..
 
trinitron

I did not watch Shaitan. I just thought it might be a little different. Turned out it wasn't. My wife went to see it. She found it watchable. But not very different from the the usual masala films.

The Indian directors whose films I would want to watch , make very few films, and these films are seldom released in a movie hall.

Adoor Gopalakrishnan
Girish Kasaravalli
Goutam Ghose
Shyam Benegal
Shahji Karun
Jahnu Barua
 
THE BRD TRILOGY

Rainer Werner Fassbinder is my favorite director after Andrei Tarkovsky. He died at the age of 37, but even in that brief time he made around 40 films, many of which are among the finest ever made.

The BRD (Bundesrepublik Deutschland ) Trilogy refers to a set of three films which he made between 1979-1982. All the films have a woman as the central protagonist, but the theme of the trilogy is the reconstruction of Germany. It's rise from a nation shattered by war, to an economic superpower within a couple of decades.

The Marriage Of Maria Braun is about a young German woman who believes that her husband died in the war. She is a survivor gradually learning how to move on in a brutal new world, where everybody 'hustles' for a living. Hanna Schygulla is brilliant in the lead role. Her transformation from a tentative and innocent young woman into a powerful and successful one, is beautifully paced and textured. Fassbinder's has a 'feel' for women characters. His women protagonists are far more credible and real than the 'figments' created by most male directors.

Veronica Voss is shot in glorious black & white. Personally, I prefer b&w to color, and this film is a visual delight. Veronica is a former celebrity who is now living in a pricey sanitarium, where the doctor supplies her with the drugs she needs in order to survive from day to day. Is the sanitarium a metaphor for our brave new world? And the drugs a metaphor for all the devices we use for forgetting, for not feeling anything, for keep anxiety at bay?

Lola was an adaptation of the 1930 Josef Stemberg/Marlene Deitrich film, The Blue Angel. The story of an idealistic bureaucrat, a greedy and powerful land developer and a night club dancer, is very contemporary and relevant in the present "buy agricultural land cheap/apply for a change of land use certificate/create a real estate bubble" times."

Some other great films by Fassbinder were Fear Eats The Soul, The Bitter Tears Of Petra Von Kant, The Merchant Of Four Seasons and Effi Briest.
 
Recently while holidaying in Goa, I met a young couple from Romania. I mentioned that my knowledge of Romanian films was limited to a solitary film. The stunning 4 Months, 3 Weeks & 2 Days by Cristian Mungiu, which won the Palme d'Or at Cannes 2007. They had promised to send me a list of good Romanian films and they kept their promise. I think they would be happy to share this list with the forum members.

Eu cand vreau sa fluier fluier (Florin Serban 2010)
Lumea vazuta de Ion B (Alexandru Nanau 2010)
Le concert (Radu Mihaileanu - 2009)
Politist adjectiv (Corneliu Porumboiu 2009)
Amintiri din epoca de aur (Constantin Popescu Jr 2009)
Nunta muta (Malaele - 2008)
Boogie (Radu Muntean 2008)
Restul e tacere (Nae Caramfil - 2008)
Tache (comedie - Igor Cobileanski, 2007)
California dreaming (Cristian Nemescu 2007)
Lampa cu caciula (Radu Jude -2007)
Ryna (Ruxandra Zenide - 2006)
Cum mi-am petrecut sfarsitul lumii (Catalin Mitulescu 2006)
Legaturi bolnavicioase (Tudor Giurgiu 2006)
A fost sau n-a fost (Corneliu Porumboiu 2006)
Decreteii(documentary Florin iepan - 2005)
Italiencele (Napoleon Helmis 2004)
Examen (Titus Muntean 2003)
Filantropica (Nae Caranfil 2002)
Marfa si banii (Cristi Puiu -2001)
Dincolo (Hanno Hofer - 2000)
Trenul vietii (Radu Mihaileanu -1998)
Terminus Paradis (Pintilie - 1998)
Senatorul melcilor (Daneliuc 1995)
Astfalt Tango (Nae Caranfil 1995)
Aceasta lehamite (Daneliuc - 1994)
E pericoloso sporgersi (Nae Caranfil 1993)
Cel mai iubit dintre pamanteni (Serban Marinescu - 1993)
Patul conjugal (Daneliuc 1993)
Balanta (Pintilie - 1992)
Cuibul de viespi (Horea Popescu -1987)
Secvente (drama, Alexandru Tatos - 1986)
Glisando (Mircea Daneliuc 1985)
Faleze de nisip (Dan Pita - 1983)
Concurs (Dan Pita- 1982)
Croaziera (drama, Daneliuc - 1981)
Nea Marin Miliardar (Sergiu Nicolaescu - 1981)
Operatiunea 'Monstrul' (Manole Marcus - 1976)
Asta seara dansam in familie (Geo Saizescu - 1972)
Reconstituirea(Lucian Pintilie - 1971)
D'ale carnavalului (Gheorghe Naghi- 1958)

I sent them a return list of a few Indian films which immediately came to mind.

Satyajit Ray
Pathar Panchali
Apur Sansar
Aparajito
Jalsaghar
Charulata

Adoor Gopalakrishnan
Elippathayam (Rat-Trap)
Mukhamukham (Face to Face)
Mathilukal (The Walls)

Shahji Karun
Piravi

Goutam Ghose
Paar
Padma Nadir Majhi

Shyam Benegal
Manthan
Ankur
Sooraj Ka Satvan Ghoda

Govind Nihalani
Ardh Satya
Aakrosh

M.S. Sathyu
Garam Hawa (Scorching Winds)

Shekhar Kapoor
Bandit Queen
 
The world is NOT a global village which can be captured on film by merely having a big budget. The world is a vast, mysterious and magical realm. Only a cinema of big dreams and big imagination can capture it on film.
 
ajay124

i am aware of cinema throughout the world but i am still unaware of what Indian cinema is, thanks for the list of the directors will shortlist few Indian movies soon which are very important to watch.

on an annual japan-India anime meet where many Japanese anime artist from japan and anime fans and artist from India are invited in 5seasons 5star hotel in worli/mumbai just the day after the japan tsunami, there was Mr. Govind Nihalani with us i was nervous but how could i just exit without even sharing a 'hi' a year back on my friend's wedding Govind Nihalani was invited he was in white half shirt and trousers i still remember! so this time i built some courage and pre decided what i am going to talk with him so that i just don't go blank in nervousness. but we ended up with a beautiful conversation on yasujiro ozu, akira kurosawa, hayo mizayaki and few Japanese films with some delicious Japanese food hot sushi and prawns :licklips: i was about to ask him for an opportunity to work in his team as an AD (assistant director) which is my profession but it was not the right place. i don't think i will get a chance of meeting such a great man again he advised to read lot of Indian literature and watch lots of films :)
 
The world is NOT a global village which can be captured on film by merely having a big budget. The world is a vast, mysterious and magical realm. Only a cinema of big dreams and big imagination can capture it on film.

loved it....................!
 
trinitron

Mr. Nihalani gave you good advise. If you want to make 'Indian' films, you should travel and see as much of India as possible. See the sights, meet the people, eat the food, travel by trains and buses, walk, hitchhike, remain restless and curious. Read Indian literature. Empathise. And avoid looking towards the west. That is if you want to make Indian films with a strong Indian ethos.

As an Indian I can relate to films of Ray, Adoor, Ghose, Nihalani, Mishra and Benegal, but I cannot relate to the films made by Bollywood. I don't think there is anything particularly 'Indian' about these films. I don't think there is anything 'phoren' about these films. They exist in a no man's land. They do not aspire to connect with reality, and even if they wanted to, their audience would not allow it. They have fashioned a faux reality, which their audience also identifies with, and both will live inside this faux reality forever.
 
Discovering an alternate Indian cinema.

Satyajit Ray
Pathar Panchali
Aparajito
Apur Sansar
Jalsaghar
Charulata
Devi
Kanchenjunga
Seemabhada
Mahanagar
Ghare Baire
Aranyer Din Ratri
Pratidwandi
Jana Aranya

Adoor Gopalakrishnan
Swayamvaram
Elippathayam
Mukhamukham
Mathilukal
Vidheyan
Kathapurushan
Nizhalkkuthu

Ritwik Ghatak
Nagarik
Ajantrik
Meghe Dhaka Tara
Kamol Gandhar
Subarnarekha
Titash Ekti Nadir Naam
Jukti Takko Aar Gappo

Mrinal Sen
Ek Din Achanak
Akaler Sandhane
Khandar
Mriygaa
Padatik
Bhuwan Shome

G. Aravindan
Uttarayanam
Kanchana Sita
Thampu
Kummatty
Esthappan
Chidambaram
Oridathu
Vasthuhara

Goutam Ghose
Dakhal
Paar in Hindi
Antarjali Jatra
Padma Nadir Majhi
Patang
Gudia
Moner Manush

Shahji Karun
Nishad
Vanaprastham
Swaham
Piravi

Girish Kasaravalli
Ghatashraddha
Tabarana Katha
Mane
Dweepa
Hasina
Gulabi Talkies

Mani Kaul
Uski Roti
Ashadh Ka Ek Din
Ghasiram Kotwal
Nazar

Shyam Benegal
Ankur
Nishant
Manthan
Bhumika
Mandi
Sooraj Ka Satvan Ghoda
Bose:The Forgotten Hero

Govind Nihalani
Aakrosh
Ardh Satya
Party
Aaghat
Hazaar Chaurasi Ki Maa

Saeed Mirza
Albert Pinto Ko Gussa Kyon Aata Hai
Mohan Joshi Haazir Ho

Jahnu Barua
Xagoroloi Bohu Door
Firingoti
Halodhia Choraye Baodhan Khai

Guru Dutt
Pyaasa
Kaagaz Ke Phool

Bimal Roy
Do Bigha Zameen

MS Sathyu
Garam Hawa

Prakash Jha
Damul

Aparna Sen
36, Chowringee Lane
Paroma
Paromitar Ek Din
Mr.& Mrs. Iyer
15, Park Avenue

Ketan Mehta
Bhavni Bhavai
Holi
Mirch Masala
Hero Hiralal
Maya Memsaab
Sardar

Sudhir Mishra
Yeh Woh Manzil To Nahin
Dharavi
Hazaaron Khwaishein Aisi
Khoya Khoya Chand

Jabaar Patel
Umbartha
Musafir

Shekhar Kapoor
Masoom
Bandit Queen

Mira Nair
Monsoon Wedding
Salaam Bombay

Kundan Shah
Jaane Bhi Do Yaaro

Sai Paranjpye
Sparsh

Vishal Bhardwaj
Maqbool
 
nice list u got there.... check k.vishwanath movies(telugu)...his movies are good too/
i will mention some his works..chk these out.
siri siri muva
shankarabaranam
sirivenalla
swati kiranam
sruthi layalu
Sagara Sangamam.
sapthapadi
 
For the past 18 months I have been obsessed with music. I have sadly ignored cinema. I think it is time to renew my affair with cinema. I have been regularly buying CD's from Amazon but never though of looking for DVD's. Yesterday I decided to place a 20+ pound order which would qualify for free shipping. I thought about the films I most wanted to see. Not too many came to mind because I have already viewed most films by the directors that I like. And in recent times I have not sought to discover new directors.

Two films immediately came to mind. Satantango and Werckmeister Harmonies. By the director I consider to be perhaps the most original and talented film maker of the last few decades. Bela Tarr is a Hungarian director who gained recognition with his fifth film, Damnation, in the late 80's. He followed it up with the remarkable Satantango, Werckmeister Harmonies and The Man From London.

Satantango is a seven hour and twenty minutes long film, shot in black and white, with minimum dialogue and no plot! Folks who like to ask what happened next should stay away. Because nothing really happens in those 7 hours. A collective farm. Endless rain, mud. A few farmers living on the edge of time and space ready to fall off into the everlasting void. Long tracking shots. Silence. Introspection. Reflection. Emptiness. Satantango is the antithesis of mainstream cinema. It comes from a different planet. A planet with a small population of cinema viewers. Viewers who never ask What happened next?

The Bla Tarr Collection [DVD]: Amazon.co.uk: Erika Bok, Istvan Lenart, Janos Derzsi, Gyula Pauer, Vali Karekes, Lars Rudolph, Peter Fitz, Hedi Temessy, Agi Szirtes, Hanna Schygulla, Gyorgy Cserhalmi, Tilda Swinton, Miroslav Krobot, Miklos Szekely,

Stntang [1994] [DVD]: Amazon.co.uk: Peter Berling, Janos Derzsi, Mihaly Vig, Erzsebet Gaal, Miklos Szekely, Bela Tarr: Film & TV
 
Last edited:
Wharfedale Linton Heritage Speakers in Walnut finish at a Special Offer Price. BUY now before the price increase.
Back
Top