psychotropic;65838 When there's moderately heavy drums said:Hi psychotropic,
what say then, that the recipe for an serve-all speaker system be-
a superb full-ranger with bass augmentation and above-12,000 hz augmentation.
there should be a defeat switch which cancels both augmentation when the listener wants to listen to jazz ensembles and classical, and can be switched in when the listener's grandson wants to listen to trance, rave and (god forbid) rihanna
but here there will have to be active amplication for each augmentation and also the full range - hey, so, maybe the ideal loudspeaker is the beolab 5000 or perhaps the linkwitz orion?
That too will not work- and why? - simply because the bass module is co-located with the other drivers and such a system begs for trouble because for every room there is a particular "sweet spot" for the bass module. having all the drivers in one tower is the reason for bloated and boomy bass- this screws up and muddles the midrange and this is the reason audiophiles stick to single driver full rangers that do not do bass.
the bass frequencies are the most difficult to accurately produce, reproduce and control (and enjoy).
So the only way to integrate all the desirable attributes of a speaker system is to allow one single bass module to have an independent location (independent of the main floor-standers which are ,perhaps, full range single driver), and give each independent amplification.
Full range three-way will always be shunned by those who desire clear unmuddled emotional delivery. Emotional impact and delivery equates to sharp intakes of breath, the quaver of voice with the end of expiration, the sharp plosives of anger, all of which are obscured when bass is not managed properly. Also, delicate cymbals, the nuances of delicate percussion, the last dying notes of strings - all these are lost.
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