I don't agree with the imaging part you described about the speaker.Jenson
The LS3/5
was made for originally made for monitoring commissioned by BBC
And so the harbeth , spendor , falcon , Rogers and the Soundartist ( who was the OEM or Rogers since the 70s ) etc
which are based on this design play the same way since they are almost identical designs ( crossover, cabinets , size or druvers , even the impedance and wattage )
They ALL play in a small sealed box of the same size
And so they obviously have a limit on the bass they produce
None of the above are for parties and very large spaces
They are all intimate sounding , if you have heard a harbeth you would have an idea
As for your question about jazz
Well bbc didn't design these speakers just for jazz but more so for vocals so obviously they would play all kinds of music
The BBC flavour is a bit different from modern speakers
It's more to do with the sweetness of the human voice , the tone and texture of the instruments rather than the accuracy and pin point imaging and detail
So it's a highly enjoyable and listenable speaker if you are not going to analyse it
A bbc is thus an emotion fir easy listening rather than a critics speaker
This video may help getting some insight into the “what speakers size for my room” question :I hear these speakers are better used in small rooms. Is there any chance these might work in a 2500 cubic feet room with a listening distance of 11 feet from the speakers?
Someone who has heard them would be best placed to describe their performance (keeping in mind the partnering equipment and room of course)Thanks @Analogous. I was wondering if these speakers project the sound well into the room. I read some of these monitors are better for near field listening.
It surely plays loud for an average room size
Maybe not to insane levels like a pro audio speaker but I don't think would expect it to go that loud
They really look lovely with the Akai vintage ampThis speakers absolutely shine in desktop environment, no boomyness, smooth midrange and highs remind me of KEF's.
They sound best in medium to small sized rooms.
The vocals blew me away while watching Youtube Videos, the voice has the texture which make them sound true to life.
These speakers do disappear well too,
Having used multiple speakers for near field, this should be on everyone's list to audition list.
Don't shy away looking at the frequency response, they have enough mid bass to compensate it.
One gripe though, they are very difficult to drive, needs a 50Watt amp minimum!
SMSL VMV A1 struggled
Audiolab 7000a was driving them very well
Best of the lot was the Akai AM 2850, maybe the old 85 vintage watts did help.
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You can hear at my place. Lying with me for over an year. Installed just today.These are suppose to be good imitations of the original ls3/5a and are cost effective and from reviews it seems these replicas sound pretty close. Wish I could hear them.
How are you liking them Sir? Do youbuse them in your main music room. It would be great to do that when i am in Dehi. I was fortunate to find a pair of Spendor ls3/5a. I use them sometimes and quite enjoy them.You can hear at my place. Lying with me for over an year. Installed just today.
From what I have heard from friends in Bangkok Falcon’s are the best among all the manufacturers of LS3/5A.The LS35A has something in them. I have the Falcons and I forget the passage of time. Music just flows.
Yes I connected them just 2 days back and placed them over the speakers made by Bakshi Sir as I have no space for anymore speakers. They are sounding good but need 100 to 200 hours to fully burn in.How are you liking them Sir? Do youbuse them in your main music room. It would be great to do that when i am in Dehi. I was fortunate to find a pair of Spendor ls3/5a. I use them sometimes and quite enjoy them.