Some utterly stunning vinyl-based system, playing an amazing recording, with the lp in perfect condition, just blows somebody away.
Some utterly stunning cd/other-uncomrpessed-digital-source, playing on another utterly stunning system, just blows someone away.
And these are arguments that say that analogue is better than digital, or that digital is better than analogue? Or, even less logically, that digital can never achieve what analogue can?
Sorry, guys, it doesn't wash --- either way.
Ethan Winer (a purist, an engineer, and something of anti-myth merchant):
Dispelling Audio Myths
Myth: Digital audio sounds worse than analog, and the lack of digital's fidelity is revealed as a sterile and harsh sound that lacks warmth, depth, imaging, clarity, and any number of other vague and elusive descriptions.
Fact: Analog tape compresses dynamics and adds distortion, which can be a pleasing effect for many people (including me). But for pure faithfulness to the original signal, modern pro-quality digital wins hands down every time.
I guess he's talking about in the studio, before the sound even reaches a vinyl LP. High Fidelity? (err... fidelity means truth, ok?) Go digital. No doubt.
But you may not like it!
In which case, play vinyl ...and enjoy.
We can let the engineers tell us about the distortions that are part and parcel of analogue reproduction. We can let other engineers tell us that a CD's frequency response is wider than human hearing. Unfortunately, I don't think we'll ever be able to do a true AB test, because the original tapes may have been remastered/remixed to a very different result. This may have been done with a view to giving a very much more true-to-life (hi-fidelity) presentation of what actually happened in that studio or on that stage. It may also have suffered from simple bad workmanship, or been compressed to hell because loud-is-better.
From my personal perspective (and it is, really, personal perspectives), being one of the members who is old enough to have started out on Shellac*, let alone vinyl, I have certainly had the experience of CDs that reveal detail, as in
actual sounds I never heard before from the vinyl, and cannot think of an instance where I would rather listen to the LP instead of the CD.
EXCEPT... for the pure experience of
handling that beautiful round disk that came out of packaging with album art that was far more than just a logo. This is probably forty-year rose-tint on my glasses, but nothing can compare with the sheer romance of those LPs. Even though CDs (in that most horrible of packing, the stupidly-named, fragile,
jewel case) may come with a booklet, it is just not the same as the joy of finding the lyrics on the inside of the album cover. How does a second-hand CD compare with it's LP equivalent? The previous owner's names... the joy of finding a much-wanted album that looked in poor condition, but played well (Err... it's not unusual for a brand-new CD to skip or even refuse to play).
I bet the CD booklet for which ever Beatles album it was (EDIT: Abbey Road, I guess) doesn't come with the misprint
And in the end,
The love you get,
Is equal to the love you get
(Which us household of cynical hippies, at the time, thought was
so true!)
That's my eulogy to vinyl.
In practice, I'll stick to digital.
*Not sure, now, what 78s were made of. They were very fragile though, and cracked, snapped, or just plain wore out, as fe of us replaced the needles nearly as often as we should. I recall that I wore out Harry Belafonte's
Island in the Sun.