Visit Report :licklips:
The pictures make Dr.Bass's place look much bigger than it is. He has put a lot into quite a small space. I think I'd be right in saying that these are big-room speakers? Even the cabinet size is substantial. Anyway, he loves those Tannoys so much that I wouldn't be surprised if they are travelling with him from house to house for quite a few years to come.
When I arrived, Dr.Bass was busy being a technician, refitting his tone arm. The tone arm wires are like spider silk, and the slightest slip meant getting the soldering iron out. That tone arm, as a piece of engineering, is just wonderful. I still can't conceive how it can work with the cartridge able to pivot on the arm!
Listening was shared with Arjun, and while the engineering was going on we played some fragments from some of the CDs that I had taken with me. Mahler's symphony No. 1 sounded very good indeed. A very transparent system. Speakers? What speakers?
Carnatic-vocal/Hindustani-flute jugalbandi, with M Balamuralikrishna and Hari Prasad Chaurasia, really brought out the best in the system, and the system brought out the best in the music. This is probably the rave high-point of the listening for me --- because I have heard this recording many, many times (one of my wife's favourites) and yet it was still a Wow. The presence in the male vocal was just amazing, and the guy in the audience with a cough
never sounded so real! It is a wonderful hifi experinece to hear a familiar recording like one never heard it before.
We had more male-vocal-wow with some Dhrupad. In fact,
wow is just far too small a word for it.
Moving on later to some female carnatic vocal (Amrutha Venkatesh: a young woman whose training, unusually for carnatic, also includes western technique and voice projection) was full of richness and warmth --- but a little lacking in treble. It turned out that the super-tweeters were not active, but after they were switched back in, we did not return to that CD. Only because I have heard this lady's live concerts on several occasions was I able to be aware that something was not quite right in the playback.
All the vinyl-based music that we listened to was either recordings that are new to me (even though some of them were from long ago) or that I have not heard for a long time, so I can't make any specific critical assessment except to say that it was a wonderful, musical experience.
About the TT and the Naim amp, what can I say? Well, very little, because it is all new stuff to me. It all looks amazing, and the turntable is very much on the
sensible side of TT design, completely lacking in outlandish features! The tone arm, of course, is almost minimalist. Yes, I loved that tone arm! I'm off to surf and browse about it now
hyeah:
Late in the day, I started to move around the room, listening to the sound from different positions. There is hifi 'rule' about having the tweeter at ear hight, but I've found it can work better for me if it is slightly above my ear hight: When I sat on the floor I discovered a new delight in the speakers, with everything good being just a bit
more good. Enhanced clarity and depth. My theory... partly this is my ear-canal hight thing, maybe specific to me, but also, now having the sofa behind me meant that I was getting less reflected sound from the rear wall. I don't know anything about
room conditioning but I suspect that this might be a way for Dr.Bass to squeeze more ounces out of his weighty system.
Only when talking to him in person could I understand that Dr.Bass is not really serious about kit: he is really serious about music. Music, not as a background to life, but as something to be given proper attention. He is not much interested in car or portable audio because he would rather spend a smaller amount of time each day listening to superb music than waste his music appetite on the mediocre. Makes sense to me.
.