Another cable worth trying out is the Belden 8402. It's a vintage cable which has been in continuous production since the early 60s. Apparently this cable was very popular with recording studios since the 60s and many of the recordings we've come to like have probably passed through these cables in the studios. It's a balanced cable though I've wired mine as unbalanced. I've made a balanced pair too for a friend but haven't had the opportunity to audition it properly. I only managed to briefly pit it against a very fine balanced cable at a friend's place, where it acquitted itself rather well.
Sound signature is warm yet resolving, and unfatiguing.I liked it so much that I upgraded my pair to fancy connectors. Earlier it was using Switchcraft RCAs with gold plated center pin. This Switchcraft connector is a very good connector, BTW. Even the Switchcraft XLRs are very good. They use silver plated pins and will probably give Neutrik's silver plated XLRs a run for their money (though the Neutrik's barrel mechanical construction is leagues ahead).
Here's an interesting review of this cable:
http://jeffsplace.me/wordpress/?p=7325
Right now it's my top IC :thumbsup: and connects my primary source to the buffer.
Available by the foot from here:
https://btpa.com/CA-0582.html
This is sort of a long term report on the Belden 8402 cable used as unbalanced in my chain, and also a comparison of the Belden 8402 with two newer cables, namely, Klotz MC5000, and Helusound AES DMX cables both wired as unbalanced interconnects:
I've had the Belden 8402 in unbalanced and balanced for quite some time now (almost two years).
I've had the Klotz MC 5000 for much longer and I had never actually ever considered using it anywhere in my audio chain simply because I had sufficient number of cables to try/use. I didn't know that it is regarded highly in some circles. I got curious after I started using it between CDP and buffer and hearing how good it actually is, and that's when I saw forum threads dedicated to this cable. My CDP (actually an old Sony BDP-S370 bluray player) is the least used source in my audio chain as turntable takes first precedence, followed by music PC at a distant second. A complete breakdown of the music PC (motherboard problem) had me in a situation where I had to start spinning CDs more regularly. So I rummaged through my cable pile and dug up the Klotz MC 5000 and started using it to connect the Sony to my buffer. It was a low priority source and my expectations from this source was rather low. It was just to keep the music going. After several days of usage, I started noticing how good the sound from the bluray player was. I already knew that this player has a very fine analog output (and is also a very fine transport) so I had searched for it and was lucky to get one from fellow forumer magma/Ali. Suspecting that the pleasurable sound wasn't entirely the contribution of the bluray player, I swapped out the Klotz MC 5000 cable to my reference Belden 8402. This confirmed my suspicion that the Klotz is indeed a very fine cable.
The Helusound AES DMX cable (code number 400031) is a digital AES balanced cable. I've been using this cable for the intended AES function, and also as analog unbalanced cable, and as internal wiring on phono preamps, line level buffers and even power amps. In fact one pair of unbalanced Helusound AES DMX cable was part of the initial set of cables compared in this very thread (post#3). On hindsight, it was probably insufficient burn in at that time that led me to wrong conclusions about the quality of this cable. But what made me realize that this digital cable SHOULD actually sound good as an analog interconnect cable was the fact that it sounds consistently better than any wire I've tried as equipment internal wiring. So recently I actually made a 1m pair using Neutrik ProFi RCA plugs and have been using it continuously for about a week now between bluray player and buffer. Since my listening hours is a rather high nowadays, the cable has settled down well and is now showing its true colours.
I find that that its basic characteristic that I had described in post#3 still remains true - bass is a bit leaner than other cables, but the highs are very sweet. Very, very sweet. And it never fails to convey the emotion of the music. And it is the most resolving cable I've had the pleasure of using in my setup. It digs out that last bit of detail that all other cables fail to resolve. Its enthusiastic attack at the leading edge of music and its natural decay on the trailing edge makes it a lively and dynamic component. Tiny nuances like a singer drawing in breathe or his/her lips parting to make tiny smacking sound in closed mic recordings or a very soft acoustic string pluck, etc are made audible.
In contrast, the Klotz MC 5000 does all the hifi things with great elan. It's almost impossible to knock it off its poise irrespective of how complex the program content is. It's suave and sophisticated...but in a hifi sort of way. It doesn't have the upper high frequency extension of the Helusound AES DMX cable. Its mid also seems to be slightly subdued compared to either the Belden or the Helusound, so losing out a bit of warmth.
The Belden 8402 has shown itself to be neutral and balanced across the entire audio spectrum. It resolves micro details well (though it must bow down in humble submission to the Helusound AES DMX cable). It has great attack and a natural decay. The musical timing is unmistakable and the music just flows. The mids are fleshed out like no other cable in this mini shootout. It just sounds the most musical of the lot. This cable is the king of my cable hill and I haven't found another to knock it off its comfortable perch.
To be sure, these three cables are all very good. If you need to sweeten your highs and dig out the last ounce of details, the Helusound DMX cable will help. It never fails to be musical. If you want to inject that bit of panache and “hifi-ness” into your sound, try the Klotz MC 5000. For many, depending on their musical priorities, I'm guessing the Klotz MC 5000 will be their top choice. If I had not heard it against the other two, it would be mine too.
I hate numbered rankings as listening preference and musical priorities are so subjective but given my preference and priorities, I would keep the Klotz at number 3 and the Belden at 1.
Post script: I had enthusiastically recommended the Helusound guitar instrument cable in the past on this thread. Compared to these three cables, the instrument cable sounds like a rough and rustic country lad in the big city.