Objectivity vs Subjectivity

A gramaphone can be subjectively pleasing and wonderful. It is analog....in the purest form.


But it is not a hi-fidelity system. The dynamic range is limited, the lows are negligent. The mids and highs are heightened. And we can exactly measures where the problem is .....right from the heights and depths of the audio grooves, to the vibration of the needle/tonearm and the passive amplification of the horn. It was accurate for our fathers/grandfathers.



But now we have gone beyond that. We have evolved into electronics and active amplification. Now music has to be produced/reproduced through a medium. And that is where our modern hi-fi debate lie. Fortunately for all concerned, that medium of electrons, electricity, electric signals and transducers to physical waves are all measurable parameters.

And it's due to this property of being measurable that today we can enjoy a hi-fidelity music on our portable smartphone using a wired/wireless headphone/earphone.......in addition to the many speakers drivers at home/studio.


:D
My entire childhood was spent listening to live music. I have heard enough masters in studios. I have had digital for over 25 years. Had the best of stuff. I have heard Benchmark which seems to be ASR benchmark umpteen times. When it comes to connecting with music, vinyl is still King. On my set up, the bass that vinyl puts out is exemplary. You must be really joking when you say a vinyl set up is not high end.
 
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A gramaphone can be subjectively pleasing and wonderful. It is analog....in the purest form.


But it is not a hi-fidelity system. The dynamic range is limited, the lows are negligent. The mids and highs are heightened. And we can exactly measures where the problem is .....right from the heights and depths of the audio grooves, to the vibration of the needle/tonearm and the passive amplification of the horn. It was accurate for our fathers/grandfathers.



But now we have gone beyond that. We have evolved into electronics and active amplification. Now music has to be produced/reproduced through a medium. And that is where our modern hi-fi debate lie. Fortunately for all concerned, that medium of electrons, electricity, electric signals and transducers to physical waves are all measurable parameters.

And it's due to this property of being measurable that today we can enjoy a hi-fidelity music on our portable smartphone using a wired/wireless headphone/earphone.......in addition to the many speakers drivers at home/studio.


:D
By your own logic , hi-fidelity doesn’t necessarily translate to ear-pleasing or sonically / subjectively preferable.
Since the humble gramophone and ‘low fidelity ‘ records continue to be adopted by millions worldwide today.

No , even then it’s not possible.

Because you won’t have the original masters.
Same point I made earlier
 
And it's due to this property of being measurable that today we can enjoy a hi-fidelity music on our portable smartphone using a wired/wireless headphone/earphone.......in addition to the many speakers drivers at home/studio.

:D
Typical "wireless" channels are not completely completely "measurable". :P
They are orders of magnitude more complex to characterize than the kind of things we are talking about here. So let us not go there. :D
All I will say regarding it is there are smart people who have devised some methods to come up with probabilistic 'estimates' of its behavior, which work most of the time. Even then sometimes things fail by a mile.
I wont "spill more beans" about wireless because my employer will sue me if I do. :P
 
You guys are missing a very important part. The engineer is listening to the master. You are hearing a compressed version of it on Tidal or on a CD. It’s not going to sound like the master by a mile.
I get this issue, but it’s again decided on in the same studio on the Same gear. So, atleast once they play the CD in their system there.

Even if not a cd or lossless streaming is the best version available to the public. So that’s a totally different issue.
 
No they don’t play the CD back in that system. The moment they hand over the digital master, their job is done.

I get this issue, but it’s again decided on in the same studio on the Same gear. So, atleast once they play the CD in their system there.

Even if not a cd or lossless streaming is the best version available to the public. So that’s a totally different issue.
I am not against measurements. I prefer buying a studio dac or a turntable that measures well, a speaker that measures well. When it comes to amp, I try and buy one that has synergy with the speaker. I again use specs to do my initial shortlist. Cables I prefer the studio ones. But at the end of the day, no measurement is going to tell you is the feel and touch of an instrument reproduced correctly, when a singer changes his scale is it captured correctly, is the tone and timbre correct. For that you will have to depend on subjective opinions and feedback.
 
My entire childhood was spent listening to live music. I have heard enough masters in studios. I have had digital for over 25 years. Had the best of stuff. I have heard Benchmark which seems to be ASR benchmark umpteen times. When it comes to connecting with music, vinyl is still King. On my set up, the bass that vinyl puts out is exemplary. You must be really joking when you say a vinyl set up is not high end.
Antique-Phonograph-Gramophone.jpg
Are you sure?
 
Enkay 78, if that picture you’ve posted is your idea of a vinyl set up, you’ve seriously lost it. It shows a complete lack of understanding of music on your part.

Vineethkumar01 is the only member who is speaking logically about measurements with good examples. You guys continue on the merits of objective vs subjective. Have fun :)
 
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After 10000 years

Objectivist :- my speakers don't measure good

Subjectivist :- my speakers don't sound good


Moral of story:- we all need stuff in life to forget we are married
Most objectivists people would be satisfied if they get a pair of monitors , a tool for room correction and once settled in, most don’t look back. Only thing they need on the top of it, is some eq over the years to correct with their hearing.

Again even if he wants some colored sound, he won’t buy new speakers for it, he would just use a eq. Only thing important here is a speaker having distortion levels below 1 percent in all frequencies in the whole band to handle the changes. It’s very hard but several speakers are already there doing it. It’s amazing how new speakers whihcb came up in last two three years are killing it.
 
Most objectivists people would be satisfied if they get a pair of monitors , a tool for room correction and once settled in, most don’t look back. Only thing they need on the top of it, is some eq over the years to correct with their hearing.

Again even if he wants some colored sound, he won’t buy new speakers for it, he would just use a eq. Only thing important here is a speaker having distortion levels below 1 percent in all frequencies in the whole band to handle the changes. It’s very hard but several speakers are already there doing it. It’s amazing how new speakers whihcb came up in last two three years are killing it.
Interesting. Could you be more specific?
 
Most objectivists people would be satisfied if they get a pair of monitors , a tool for room correction and once settled in, most don’t look back. Only thing they need on the top of it, is some eq over the years to correct with their hearing.

Again even if he wants some colored sound, he won’t buy new speakers for it, he would just use a eq. Only thing important here is a speaker having distortion levels below 1 percent in all frequencies in the whole band to handle the changes. It’s very hard but several speakers are already there doing it. It’s amazing how new speakers whihcb came up in last two three years are killing it.

It's amazing what mind can do. If it's true for subjectivists, it's true for objectivists as well if they hear with ears.
 
Enkay 78, if that picture you’ve posted is your idea of a vinyl set up, you’ve seriously lost it. It shows a complete lack of understanding of music on your part.

Vineethkumar01 is the only member who is speaking logically about measurements with good examples. You guys continue on the merits of objective vs subjective. Have fun :)
But did I say vinyl?

I said "gramaphone" :D


I am beginning to enjoy this thread.
 
And I have a simple question:
Audio being what it is, and products being what they are, can one really be a subjectivist without first being an objectivist?

When we are born, we are born with no experience of this world. Gradually we are exposed to what it offers. In time we come across music (and video) and for those that take a liking to this we explore it further. As we grow older we like it more and eventually some of us want to buy a system to listen to music. It is only when we go to buy a system that we are exposed to any kind of specifications or objective data. Our initial contact with music was subjective and we liked it because of our subjective experience. It is because we liked it subjectively that we went out to buy a system and came across objectivity. So in my mind it is obvious that we are subjective first, objective second (if at all) and this applies to both music and video. The question should be -

Audio being what it is, and products being what they are, can one really be a objectivist without first being a subjectivist?

But I do notice some strong opinions which has neither the science nor the merit of opinion. Let's say my angst is towards those opinion.

Everyone is entitled to their opinions. Just because person A does not agree with the opinion of person B does not mean person B's opinion is not valid. It may even be that person A's opinion is wrong objectively but person A is still entitled to them.

Who decides the merit of opinion? We can decide for ourselves personally but we can not decide on an absolute scale. We also often forget that what we say is also opinion, instead often thinking of our stance as absolute fact.
 
Now I am enjoying this thread too. :D
Just so that all this effort and time doesn't go to waste, I recommend this course to the objectivists among us (and anyone else who is interested) so that we can learn to speak the language that describes all this "objective" fairy dust that is floating around here.
I hope it will put things in perspective and will make one a bit more humble before/while taking things for granted in objective territory.
It is a basic course on acoustics by the Amar Bose, who was legendary as a teacher.

At least one can read through this book: https://www.tonmeister.ca/main/textbook/index.html

If one is still more interested, here is a course about the current state of the art:
 
Interesting. Could you be more specific?
My pick KEF R11;
Why :
Almost flat frequency. - let’s hear the recording without adding or removing much

Excellent directivity - directivity is mostly forward so, less affected from sidewalls like traditional speakers. Placement isn’t going to be a big issue in the room in terms of the sidewall reflection.

Excellent low frequency extension-can work without a sub

Low distortion- now this is where it gets really interesting. If you look at this graph below. This is how we calculate distortion in percentage

We can hear distotion in a different way for different frequencies. But anything with these numbers are close to inaudible. What does that mean, I can push up the loudness levels of several bands here without distortion reaching audble levels. So this speaker can be eqed to literally any other speaker and still will not add distortion doing so.
F69F4B59-825E-4F33-A1C8-BAB04ECB72DD.jpeg
The soundstage of this speaker is limited to the directivity to the front. So if you remove the shadow flare may be it would work sideways(I won’t do it)

This also means if I play a 40 hz tone, it vibrates equivalent to its time domain equivalent in terms of strokes and low distotion suggests there is no “overhang or swinging” by the drivers meaning in audiophile terms- excellent timing.

4. Coaxial with no problems exhibited by traditional coaxial. It’s very hard to get a coaxial right. Problem is you have a midrange that would vibrate which is the wave guide for the tweeter.

Kef managed to fix this problem with the tangerine waveguide and the ribs on the cone to direct it without any flaws.

Also coaxial means the best possible coherence between mid and the tweeter for accurate soundstage representation. Cymbals won’t sound above or below the vocals if recording doesn’t have it.

To me, there is nothing better than this you can buy under 5 lakhs may be even in 10 lakhs.

The stock sound has some flaws (minor) but with little bit eq it’s tunable to perfection.

Low impedance change with frequency - means it has lower amount of sound change with amp impedance change

High sensitivity- low number of parts in crossover (it’s laughable!) sensibility is high due to less power wastage.

Driver engineering has taken huge steps further hear as I won’t be surprised to see even less parts in the next gen.
 

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Alright even though my other comment was on ‘gramophone’….I am now pulled into vinyl. Now for the sake of enjoyable discussion, I want to mildly ask the following (please don’t interpret this as objective or subjective)

Using the same vinyl record, which one will sound better:

On this one
40DE240C-0980-4C38-8388-2EE018851E9F.jpeg

Or this one

E8CC1AB2-7DC0-48E3-9030-CFBEB6F2920A.jpeg

Or does the cartridge needs to be Ortophon? Nagaoka?

Or the phonoamp be denon? Schit magni?

Are the cartridge system ‘compensating’ some of the analog waves present on the groove or presenting exactly what is on the groove?

Are the phono amps denoising or compensating some of the spectrum which are fed to the power amp? Are they exactly transduction the analog groove signals to electric signals?

How much bandwidth does the physical grooves allows for the diamond needle to vibrate - dynamic range? If without an anti-vibration mechanism the tornarm able to make the cartridge enable the exact interpretation of the physical grooves?


PS: these are some for fun. Don’t take it seriously.
 
Enkay 78, if that picture you’ve posted is your idea of a vinyl set up, you’ve seriously lost it. It shows a complete lack of understanding of music on your part.

Vineethkumar01 is the only member who is speaking logically about measurements with good examples. You guys continue on the merits of objective vs subjective. Have fun :)

Merits? I thought everyone here knew the score, that no one is convincing anyone and we are passing our time.

Surely no one one ever thought any productive conclusion was coming from this thread?
 
A gramaphone can be subjectively pleasing and wonderful. It is analog....in the purest form.


But it is not a hi-fidelity system. The dynamic range is limited, the lows are negligent. The mids and highs are heightened. And we can exactly measures where the problem is .....right from the heights and depths of the audio grooves, to the vibration of the needle/tonearm and the passive amplification of the horn. It was accurate for our fathers/grandfathers.



But now we have gone beyond that. We have evolved into electronics and active amplification. Now music has to be produced/reproduced through a medium. And that is where our modern hi-fi debate lie. Fortunately for all concerned, that medium of electrons, electricity, electric signals and transducers to physical waves are all measurable parameters.

And it's due to this property of being measurable that today we can enjoy a hi-fidelity music on our portable smartphone using a wired/wireless headphone/earphone.......in addition to the many speakers drivers at home/studio.


:D
2C5B5DCC-4A5F-4386-BE8E-D54ACE037211.png

Just in case, it was lost in translation.;)
 
Alright even though my other comment was on ‘gramophone’….I am now pulled into vinyl. Now for the sake of enjoyable discussion, I want to mildly ask the following (please don’t interpret this as objective or subjective)

Using the same vinyl record, which one will sound better:

On this one
View attachment 66186

Or this one

View attachment 66187

Or does the cartridge needs to be Ortophon? Nagaoka?

Or the phonoamp be denon? Schit magni?

Are the cartridge system ‘compensating’ some of the analog waves present on the groove or presenting exactly what is on the groove?

Are the phono amps denoising or compensating some of the spectrum which are fed to the power amp? Are they exactly transduction the analog groove signals to electric signals?

How much bandwidth does the physical grooves allows for the diamond needle to vibrate - dynamic range? If without an anti-vibration mechanism the tornarm able to make the cartridge enable the exact interpretation of the physical grooves?


PS: these are some for fun. Don’t take it seriously.

You can listen to both and see what sounds better :) Of course the phono, the cartridge the tonearm are all important and must be matched and needs to be identified depending on your own preference. They will definitely not sound the same

But if so technically proficient maybe you read the specs and visualize how it sounds like :p Or you could go and listen to some systems whenever you can and figure out what you like

Personally I would not choose either irrespective of the other components.
 
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