ajay124
Well-Known Member
In recent days while listening to music (with this thread in mind) I tried to 'hear' whether my system is transparent or coloured.I began with the assumption that it was reasonably transparent,as Bryston is generally considered a neutral and accurate amp.What I discovered was completely unexpected.Something which I have never considered before.While playing classical music my system seems to have five primary colours.
Duetsche Grammophone,Decca,EMI,SonyClassical and Philips.
It seemed to me that every recording label had a 'colour' which was present in all their cds and this colour provided a gloss or a sheen to the existing colour of my system as a whole.
I played music released by these labels post 1970.Original and remastered recordings.Checked the Spars Code of the cds.Based on a couple of days of listening it would be difficult to say whether what I 'heard' is valid or a figment of my imagination.But the initial conclusion I drew was that the signature sound of my system was 'touched up' by the signature sound of every recording label.
I intend to follow up on this and 'audition' my system by focusing on the recording label,on the spars code,on the year of recording/remastering.I am reasonably certain that specific and lengthy tests would also reveal distinctive 'colours' which were in vogue with recording engineers in different decades.Since my system is a constant (hopefully ) I intend to choose the 'colour' of the final sound I am listening to,by choosing the recording label I prefer.Currently if I wanted to be VERY specific.I would choose the colour of Philips SOLO,DUO.TRIO recordings,preferably ADD,preferably conducted by Colin Davis or Bernard Haitink and performed ONLY by the Royal Concertgebouw.
Presto Classical - Haydn - London Symphonies - Philips: 4426142 (CD) - Buy online
Duetsche Grammophone,Decca,EMI,SonyClassical and Philips.
It seemed to me that every recording label had a 'colour' which was present in all their cds and this colour provided a gloss or a sheen to the existing colour of my system as a whole.
I played music released by these labels post 1970.Original and remastered recordings.Checked the Spars Code of the cds.Based on a couple of days of listening it would be difficult to say whether what I 'heard' is valid or a figment of my imagination.But the initial conclusion I drew was that the signature sound of my system was 'touched up' by the signature sound of every recording label.
I intend to follow up on this and 'audition' my system by focusing on the recording label,on the spars code,on the year of recording/remastering.I am reasonably certain that specific and lengthy tests would also reveal distinctive 'colours' which were in vogue with recording engineers in different decades.Since my system is a constant (hopefully ) I intend to choose the 'colour' of the final sound I am listening to,by choosing the recording label I prefer.Currently if I wanted to be VERY specific.I would choose the colour of Philips SOLO,DUO.TRIO recordings,preferably ADD,preferably conducted by Colin Davis or Bernard Haitink and performed ONLY by the Royal Concertgebouw.
Presto Classical - Haydn - London Symphonies - Philips: 4426142 (CD) - Buy online