Hydra,
I have been thinking of doing an infinite baffle for my theater for some time now and doing lots of reading on this topic. This is what I have gathered so far.
When you place the speaker in a room, all the walls are affecting its response. But the back wall is affecting most because its reflections are in the same directions as the speaker sound is. The sound from the speaker does not radiate only in the front, but goes around all the direction. There are two factors at play here.
First is the baffle step. For simplicity, let's assume that a speaker width is 12". Since the sound radiates in all directions, the frequencies which wavelength is less than 12" will obviously bounce off the front baffle of speaker and go towards listeners. The frequencies whose wavelength is above this will go towards the back of the speaker to the wall and cause cancellation at certain frequencies. Now, speed of sound is around 1130 ft /sec. So, the frequency for 12" wavelength will be 1130 Hz. All the frequencies above 1130 Hz will bounce off from the baffle. At one octave below 1130 (565) frequency, half of the sound energy will go towards the back and there will be loss of loudness. The speaker manufacturers compensate by adding a boost in the crossover below this frequency to match to the high frequencies and its called baffle step compensation. Although, there are some speaker manufacturer who reportedly said they don't do these corrections. That's why its important to see at the polar response of the speakers.
Now, the next variable to this phenomenon is the distance from the back wall. The energy goes towards the back and then reflected. At very low frequencies, this reflection is in phase with the main sound and causes boost. As frequency goes up, the phase changes and at some point, there will be cancellation. As you move the speaker away from the wall, the frequency at which this will cause cancellation/dip also moves lower.
The cancellation/dip frequency = speed of sound /(4*distance from wall)
So, if one wants to move the dip to 40 hz, you will need to keep the speaker at 1130/(40*4) = 7 ft. This may not be possible in the living rooms.
As you move the speaker closer to wall, this frequency goes higher. If you have baffle which is quite big and the dip frequency is above the baffle step frequency, then you have taken care of cancellation dip completely. This is what happens when you flush mount the speaker to the wall. It's called baffle wall or infinite baffle. You have nullified the rear wall interaction of the speaker completely.
Hope that clarifies things.
I have been thinking of doing an infinite baffle for my theater for some time now and doing lots of reading on this topic. This is what I have gathered so far.
When you place the speaker in a room, all the walls are affecting its response. But the back wall is affecting most because its reflections are in the same directions as the speaker sound is. The sound from the speaker does not radiate only in the front, but goes around all the direction. There are two factors at play here.
First is the baffle step. For simplicity, let's assume that a speaker width is 12". Since the sound radiates in all directions, the frequencies which wavelength is less than 12" will obviously bounce off the front baffle of speaker and go towards listeners. The frequencies whose wavelength is above this will go towards the back of the speaker to the wall and cause cancellation at certain frequencies. Now, speed of sound is around 1130 ft /sec. So, the frequency for 12" wavelength will be 1130 Hz. All the frequencies above 1130 Hz will bounce off from the baffle. At one octave below 1130 (565) frequency, half of the sound energy will go towards the back and there will be loss of loudness. The speaker manufacturers compensate by adding a boost in the crossover below this frequency to match to the high frequencies and its called baffle step compensation. Although, there are some speaker manufacturer who reportedly said they don't do these corrections. That's why its important to see at the polar response of the speakers.
Now, the next variable to this phenomenon is the distance from the back wall. The energy goes towards the back and then reflected. At very low frequencies, this reflection is in phase with the main sound and causes boost. As frequency goes up, the phase changes and at some point, there will be cancellation. As you move the speaker away from the wall, the frequency at which this will cause cancellation/dip also moves lower.
The cancellation/dip frequency = speed of sound /(4*distance from wall)
So, if one wants to move the dip to 40 hz, you will need to keep the speaker at 1130/(40*4) = 7 ft. This may not be possible in the living rooms.
As you move the speaker closer to wall, this frequency goes higher. If you have baffle which is quite big and the dip frequency is above the baffle step frequency, then you have taken care of cancellation dip completely. This is what happens when you flush mount the speaker to the wall. It's called baffle wall or infinite baffle. You have nullified the rear wall interaction of the speaker completely.
Hope that clarifies things.