I want to give a heartfelt thanks to Sachin for making those PCB's and answering my never ending questions. This setup wouldn't have happened without him. :clapping:
A small update:
So after building the CNC phonostage, I decided one very late night to get it up and running on lantern batteries. I buy them from the 24 hour open Walmart, bring them home and wire them up. I was a little sleepy and wired the battery circuit perfectly opposite so my CNC opamps saw a -ve voltage drop on the +ve leg. Nice! Opamps and electrolytic caps blown! So I order replacement parts and got them in today and wired them in. It's alive and well finally.
Well, in other news, I had recently sent out my VPI HRX motor for some upgrades and thats when I had realized I cannot be without vinyl like this. That had got me thinking of getting a quick turntable setup on the side using Sachin's CNC and some Moving Magnet cartridge as I didn't have any. Just to change things up a bit. I ordered the $50 amazon deal on the Shure M97xe.
Next, I needed a turntable...a NOS Micro Seiki BL-21 belt drive turntable showed up locally. I met the guy and picked up a brand new, 30 year old table. Great, except it still needed an arm as it comes with a blank armboard.
So I look around and come into a Graham Robin tonearm. I win the auction and the arm arrives. I didn't want to make holes in the original armboard, so I got 2 made using the original as a template. Finally mounted the tonearm in today, loaded. aligned the Shure m97xe and hooked it up to the CNC phonostage. Before I forget, I even made my own DIN to RCA cable using cardas 4x24 awg cable, Cardas S Din connector and Vampire 800 RCA connectors all using some Cardas quad eutectic solder I picked up.
FINALLY, everything came together and I've been listening to a few things this evening though a Ray Samuels Protector running a pair of Sennheiser HD-650 balanced (with Stefan Arts Equinox Cable).
First things first, the Shure M97xe sounds MUCH better with the brush up not on the record. Tracking with the brush at 1.75 grams, the sound is good but closed in...somewhat muted. I realized that the CNC phono was at 47k so I switched to 62k. Much better but still not open enough. So I wired in a 56pf cap (after experimenting with the different cap values suggested by Omishra, THANKS GUY!!) and there it opened up nicely! That lost air was regained. BUT I still wasn't happy with the sound.
I finally locked the M97xe brush upwards and set the VTF to 1.25 (antiskating to 1.25 as well) and it was magic. Everything got dialed in, all frequencies well represented and the music came alive. It was an Aha moment
So bottom line is, the CNC is a bloody good phono stage. Sounds fantastic. Basically here is what's happening according to my ears...MM carts give you more of a birds eye perspective of the musical forest. Quality MC carts give you that and offer you the luxury of zooming into the bark of the trees in this musical forest. Giving you a chance to see the veins of the leaves while still helping you to maintain the birds eye perspective. MC's just give way more information and detail regarding the musical performance. This gives you the "you are there" feeling much more than MM's.
Here are some pics of the table, arm and cart I clicked to share here: