rsud,
regarding your statement:
"The standard is the sound of a live unamplified instrument in an acoustic space.How close does the system get to sounding like the live instrument. This is the measure (and a standard established by the Absolute Sound Magazine)."
I have to disagree here. One instrument of the same class does not sound like another, depending on how it's tuned, how old it is, how the person playing it manipulates it and so on. Electric guitars use amplifiers for reverb effects as well. So they are not 'unamplified'. During a ghazal, an audience hears the singer and the tabla player through mics. Even if it's a 'mehfil' the sound is still 'coloured' by the people in front of you, the furnishings in the room, the walls....ad infinitum. There is no standard for the way an instrument sounds, unless one sits in an anechoic chamber and listens to the player one on one. I have never done that and I doubt most of us will ever get a chance to.
The point is, all us audiophiles sometimes get carried away by this whole notion of the 'system disappearing and music coming through'. Having sat through some live performances, it has been my experience that what you heae there and what comes on the LP/CD/tape after the sound engineer has mixed all the mic inputs, can never sound the same. The system can never produce the ambience of a live musical performance exactly since the room in which the performance was carried out is different from your living room and the sound engineer's notion of what the 'tabla' sounds like may be different from yours or mine. So we are chasing after a hollow 'holy grail'.
However, if your standard is that the system should reproduce exactly what the mixing studio wants us to hear, then yes, flat freq. response, transparency et all come into play and can be measured and subjectively heard as well.
Of course, this has nothing to do with the LP vrs CD debate but of system objectives in general
-Jinx.
Ha, ha ha...>>>One instrument of the same class does not sound like another, depending on how it's tuned, how old it is, how the person playing it manipulates it and so on
In any venue when you hear a live acoustic instrument you can tell it from reproduced sound. Doesn't matter the age of the instrument, how its played etc etc... An electric guitar is not an acoustic instrument, its an amplified instrument. It is not part of the measure. An acoustic guitar however is.
If the recording engineer f*cks with the sound its already damaged and unrecoverable.
What is missing is the room acoustics themselves, which cannot be captured by simply placing a few mics at strategic locations. Which is why I reiterate that if one wants a 'live' sound, one needs to be 'live' in concert. Any system will always be a facsimile of this sound, although they are getting better and better at it, as in all technology.[/QUOTE]What is missing between the sound of a live acoustic instrument and what we hear from stereo is not measureable by our current technology.
Thought the vinyl comeback would die off, or at least flatten out? According to the New York Post, Best Buy will soon start selling vinyl across roughly 100 stores.
Vinyl sales grew 15 percent year-over-year in 2007 and 89 percent in 2008, making the 1.9 million vinyl albums purchased last year the most since Nielsen SoundScan began tracking sales in 1991. This year is shaping up to be even better, with 670,000 vinyl albums sold through mid-April.
If thats a question..the answer is " Every audiophile listens to Vinyl".
If thats a doubt..the answer is " Vinly is coming back in huge way"
One big reason is that people buy vinyl records, not steal them, the way they steal digital music.
We are in the world of compression, why ? I say its better. Why ? because we are just throwing out what the mass 95% of the people cant hear or see. Why do you want to waste storage on something which wont be appreciated.
I rather have a 150+ tata sky channel than 15 analog channels.
Thanks for making me realize the Hi End CD Based Mc Intosh ,Wadia ,Mark Levinson & Conrad Johson systems I saw are not worth it!! I should have bought old turntable and stuck to older music as most of the music I listen to is not available on Vinyl...hyeah:
That is exactly what is happening!Nothing against vinyl but still I find conveneince of digital formats far better!
You could buy an USB enabled phono stage and get your digital music, for times when you are on the move or in your bedroom. The serious listening sessions could use the original vinyl. This way you get the best of both worlds.Imagine having to carry all your music collection on Vinyl without MP3s on mobile, iPod, CDs, DVDs, etc.
>>>One big reason is that people buy vinyl records, not steal them, the way they steal digital music.
Let's hope the RIAA & MPAA combine don't read/realize this. Or else they will move us all back to Vinyl.
The thing with Vinyls is you can be happy with a smallish collection of records and keep re-visiting them again and again for the sheer thrill and exhilaration of way it sounds.
So it is litmus taste
Nothing against vinyls or CDs ( long back my pa worked in Music India- Polydor's record department - so hamari roji vinayl se aati thi)
I am against generalist statement " All audiophiles listen to vinyl"
So it is litmus taste- and what about other rigs...( anyhow I do not claim to be an audiophile and have a decent rig )
Too bold statements
:clapping::yahoo:
Thanks for making me realize the Hi End CD Based Mc Intosh ,Wadia ,Mark Levinson & Conrad Johson systems I saw are not worth it!! I should have bought old turntable and stuck to older music as most of the music I listen to is not available on Vinyl...hyeah:
Anyway anyone compared Vinyl Vis A Vis SACD for same recording??
Again anyone has sales data of CD- Digital Music , I Tunes against Vinyl?
Nothing against vinyl but still I find conveneince of digital formats far better!
I would go that way (vinyl) anytime rather than spend 60+K on on a digital source.
The thing with Vinyls is you can be happy with a smallish collection of records and keep re-visiting them again and again for the sheer thrill and exhilaration of way it sounds.
cheers
Gobble, what would a decent turntable rig cost (table, cartridge, phono preamp?) ? I am looking for a decent one too, but within a budget.
@anm bhai - 20-25K (max 30K if you really want to splurge) will assemble a great PC with soundcard which will deliver better performance than anything else at that price point and much beyond. Even Audioengine A5 will rock with the right soundcard. Recently I checked the A5 with an Asus Xonar STX and they were way better than with the onboard Realtek or Creative.
Just my 2 cents...