Hello Ranjeetrain,
Thanks.
Hi Viren,
It was a pleasure. And nice to be chatting with you again.
To keep things in order, I'll quote and respond.
I have moved away from audiophile hi-fi sound as far as I possibly can.
Viren, it's a choice you have made. Nothing wrong with it.
I seek the musically involving sound that speaks to the heart.
Everyone seeks that. At least I know I do.
That type of sound does not "wow" you on quick listening, it does not call attention to its (if, disparate) parts, the music is wholesome.
Disagree. Music reproduction can be truthful, yet it can wow. I can take you to hear systems where music flows in all glory, it sounds truthful to the original recording, still being able to draw you into music.
That is the way I hear it when I listen to live music.
You are coming from the pretext that - reproduced music is meant to be the way live music is heard. This pretext itself is incorrect, because recorded music is NOT meant to be heard the way live music is. Live music has ambiance, feel, distortion, noises, adrenalin rush. No recorded music can reproduce it (unless it is a recording made at a live venue). So, this entire "sounds like live music" is a misnomer. Because it isn't. Recorded and live music are very different, and that's why reproduced music will never give the live music feel, no matter which equipment, including your creations.
To reproduce it, always, compromises are involved. But, that emotional connect to the music has to be there, otherwise its pointless.
Completely agreed.
So, the vocal range is it; the frequency extremes are bonus.
In your books, for your taste. Need not be the same for everyone else. Please don't try to make it the standard for everyone else. Everyone has the right to like/dislike different aspects of listening to music.
The Lyrita Grande has a midbass horn - a full bass horn would not fit into most homes. So, the bass extension is not there. But, what is, is full of detail and texture.
It's not about the presence of low-frequencies. It's about how they sounded. *Most* speakers from mass market manufacturer costing 1.5 lacs have cleaner bass, and they have better definition.
I have found that lacking in all the solid-state amps that I have heard. (By the way, I have heard the Accuphase sound long before you got yours- I still have the Accuphase E-206. I just don't listen to it anymore). Probably, that lack of low end is what you perceived as lack of drive - it has nothing to do with the bass driver, or it lacking "current".
Many tangents there. But since you touched upon the topic:
Viren, it's your imagination that SS amps don't have texture in bass region. SS amps are more linear at both ends, and they offer better definition. There may be reasons to prefer tube amps, but lack of definition in low end is surely not one of them.
Glad to know you have Accuphase and don't like it. But you shouldn't mention it here. Rajiv will be quick to point out you didn't trust your ear earlier. The Accuphase you have is an entry level amp. May be it sounds good, may be it doesn't. But at the end of the day, it is
your preference. World wide, there would be thousands times more Accuphase E-206 owners than Lyrita 2A3 and Lyrita GM 70. I suspect that is indication of something.
Viren, if the availability of current was not an issue, why did the Horn Grande sounded muddy with 2A3 and better with GM 70?
That you found a major difference in music reproduction between LP and CD playback, is just a reflection on the current "state of the art". My LP system is nothing exotic - the Garrard 301 on a solid-wood plinth, a custom 12" wood unipivot tonearm, an old Supex MC cartridge, an all tube phono stage. It just reproduces music with more realism, life, and dynamics than digital sources.
I disagree. But since this tangent is not related to Horn Grande's performance I won't comment on it. But we can talk about it separately.
Hi,
It's not as if the system doesn't reproduce any lows or highs - within the room there's good response down to 40 Hz.
I do carry a set of test tracks to gauge frequency extension of a system on every audition I go. I didn't play them on Horn Grande because I wanted to listen to the speakers the way you intended.
And, there are plenty of positives in Ranjeetrain's impressions:
Of course, there are. But they are invisible to people who read selectively.
I think he did enjoy listening to music when he was here.
Of course, I did, when I put myself in your shoes. When I tried to look at the way you look at the speakers, when I tried to look for the attributes that matter to you, they seemed enjoyable. Unfortunately, a speaker need not be reviewed from the perspective of how it sounds to it's creator, (if that were the case, every speaker will have a rave review), rather how it sounds to an average potential buyer.
I respect everyone who does anything great for this hobby. You are among the few creators. You do have my respect. Regardless how a specific component sounds to me.