keith_correa
Well-Known Member
If only Mr. P. J. Baxandall knew all of this, he would not have wasted his time developing his circuit. He would have just used wire of appropriate materials instead.
If only Mr. P. J. Baxandall knew all of this, he would not have wasted his time developing his circuit. He would have just used wire of appropriate materials instead.
Not directed to any particular cable in general. I find it disconcerting that cables are projected as "increasing bass" or "increasing highs". Cables and their geometry can only take away or not, and not add. What would be appropriate would be for people who perceive differences to say that "in comparison with my previously used cable...". THAT, I can understand.If your comments are aimed at the Belden 8477 here are the specs:
The Tinned Copper discussion began in 2015 when Jeff Day blogged about his interaction with Shirokazu Yazaki. Yazaki had recommended the Western Electric 16 GA cable which is a Tinned Copper cable. The WE cables are hard to find and so Jeff Day got Duelund to make their now popular equivalent - the Duelund DCA16 GA. This is a faithful modern reproduction of the vintage WE cable.
Several folks here looked up other Tinned Copper cables and found that Belden still made a current production cable - the Belden 8471 (16 AWG). Some of us then experimented with the Belden 8477 which is the 12AWG version.
Tinned Copper has an organic sound that is pleasing to the ears.
Sharing this for those not aware of the background story and can read up on this at Jeff Day's blog over at Positive Feedback.
Regards
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Not directed to any particular cable in general. I find it disconcerting that cables are projected as "increasing bass" or "increasing highs". Cables and their geometry can only take away or not and not add. What would be appropriate would be for people who perceive differences to say that "in comparison with my previously used cable...". THAT, I can understand.
It's never so simple. Lower resistance is of course better [the output factor changes across varying impedance], but at what length of cable will this matter? At a point, this is so miniscule across varying impedance that it becomes inaudible. I haven't done the math for the 8477 vs the 8471 but I will when I remember.Cables as such obviously don't do such things - they are "perceived" to do so.
If you do a direct comparison between the Belden 8471 and 8477 there is a noticeable difference in the low end.
The thicker gauge of the 8477 (12 AWG) offers lower resistance than the 8471 (16 AWG) = higher current at LF.
The 8471 by design attenuates the LF giving the impression of being more fast or precise.
The 8477 in comparison seems to offer more bass.
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Very true. A cable cannot give anything to the sound at a but every cable will take way something since the perfect cable is no cableNot directed to any particular cable in general. I find it disconcerting that cables are projected as "increasing bass" or "increasing highs". Cables and their geometry can only take away or not, and not add. What would be appropriate would be for people who perceive differences to say that "in comparison with my previously used cable...". THAT, I can understand.
+1Cables as such obviously don't do such things - they are "perceived" to do so.
If you do a direct comparison between the Belden 8471 and 8477 there is a noticeable difference in the low end.
The thicker gauge of the 8477 (12 AWG) offers lower resistance than the 8471 (16 AWG) = higher current at LF.
The 8471 by design attenuates the LF giving the impression of being more fast or precise.
The 8477 in comparison seems to offer more bass.
.
I feel really intimidated by this discussion for 2 reasons - I am not into Music but only into Movies, secondly .. I have been using a very basic DAC (sold by HifiMart) 14 AWG for years and have never got serious about how much difference in Sound Quality Speaker Cables would make for someone whose setup is only for Movies and that too 95% content consumed from online streaming services.
A comment on this from the super experts would be a great help
Thank you NikhilLooking up this thread after a long time so missed this ...
Good sound applies to whatever may be your source - be it movies or streaming services.
Your setup will always benefit from whatever "voicing" you want to have for your sound.
Try out the cables mentioned - they are not expensive and hear the sound for yourself.
The subject of this thread is tinned copper for which some cables have already been mentioned.
Should not cost you more than Rs 1.5k - Rs 2.0k to try out.
Let me know if you need any suggestions if you are interested.
Regards
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Do try the Klotz. After some burn in it is so so sweet.I’ve not paid much attention to speaker cables for the last few years as I was on a Naim setup and was just using their cables. Even after I moved on from Naim, I was just using a DAC occ cable. all this changed a couple of months back when I borrowed a pair of WSS silver coated copper cables to try out. The difference in resolution was very noticeable. This caught me by surprise! However, there was a certain lack of warmth I felt relative to the DAC cables
This prompted some more cable experiments. I ordered some Belden 2477 and Euroclear 12awg cable and also borrowed a pair of Mogami 2804 speaker cables from FM Magma. The Belden seemed close to the WSS I had tried and didn’t have the lack of warmth issue (at least to the same extent). The Mogami was a step forward in resolution and helped in bringing out the naturalness of the system (Accuphase, Harbeth). After that i lost enthusiasm for further cable experiments and just decided to keep the Mogami.
The Euroclear experiment still pending but will have to wait. I also have some Klotz cables I need to revisit. The Belden will be put to use with my second set of speakers in the meantime
Do try the Klotz. After some burn in it is so so sweet.
Yeah. Klotz start bright and mellow down. The opposite with tinned copper, especially 8477.Do try the Klotz. After some burn in it is so so sweet.
I now biwire with Klotz 12awg for bass and 16awg for mids/treble. Bare wire, no bananasYeah. Klotz start bright and mellow down. The opposite with tinned copper, especially 8477.
Go for 12awg in both iterations
I used Belden 8447 for two weeks and later switched back to my solid copper wire which had much lower capacitance.
I think it is typo. It must be 8477 only. Anyhow, capacitance hardly makes much difference to speaker cables and more so for low level cables.Hari can you clarify the cable you had in your setup?
There is no Belden cable with the 8447 code. Did you mean the Belden 9497 or 8477?
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Maybe I might have swapped numbers, can't remember clearly. Purchased from theaudiocraftsHari can you clarify the cable you had in your setup?
There is no Belden cable with the 8447 code. Did you mean the Belden 9497 or 8477?
Wrong. There is loss in high frequency and distortions in HF by increased cable capacitance. Anyways I don't intend to start a debate on this.I think it is typo. It must be 8477 only. Anyhow, capacitance hardly makes much difference to speaker cables and more so for low level cables.