Movies I really liked
Talk to Her (2002)
I really liked Pedro Almodovar's
All About My Mother (1999) in which weirdness comes in all shapes and sizes through unusual characters and circumstances, but in a package that is somehow easier to digest and like. I happened to catch up his earlier film,
Women on the Verge of a Nervous Breakdown (1988) and didn't like it as much. Perhaps if I had reversed the order, I might have liked
Women on the verge... a bit more. While both these films were heavily centered on women,
Talk to her features men at the center stage.
The movie starts off with two strangers seated next to each other watching a dance performance in a theater. One of them starts to cry while the other notices it. The movie follows the life of both these men - one working as a special nurse taking care of a patient in coma for the last four years and the other, a journalist - in a non-linear fashion that pieces together a beautiful tragedy. I wish I had the ability to write about this film without revealing anything about the plot. Since I don't, I'd just stop by saying I liked 'Talk to her' at least as much, if not more than 'All about my mother'. It may not have the complex range of characters and layers to the plot as AAMM, but it certainly was compelling to watch.
The Color of Paradise (1999)
While I already loved
Children of Heaven for it's deceptively simple, yet brilliant narrative, I liked this almost as much.
First off, I immediately want to move to Iran and live where this film was shot. Seems like a perfect place with mountains, trees, snow, rain, fields, birds so much so that the direct translation of 'The Color of God' feels right. The real life blind boy who plays the lead role was perfect. We see and interact with nature and it's sounds along with him while still feasting our eyes on the visual beauty. It was refreshing to see most characters being good and caring about the blind boy. Of course, the contrast in this film is provided by the boy's father who acts more out of selfishness and likewise, reacts differently to the sounds throughout the film.
Movies I liked
Ballad of a Soldier (1959)
I actually almost didn't watch this movie. A title that has 'Soldier', is in Russian, starts off with a heavy toned narrative and cuts straight to a battle field? That didn't get my hopes up. Even after the 19 year old soldier gets permission to go home to fix the leaking roof and see his mother instead of a medal, I was not sure where this was going. It ended up being a heartwarming ride - mixing a bit of comedy, romance and the tragedies of war together without feeling moody, preachy or lagging. Though it is 'Russian', the story is very universal. So those who are not allergic to old films can try this.
Argo (2012)
I have nothing bad to say about Argo F*Y*. Granted few of the elements used to create tension are nothing new, I can't say they did not work. It was interesting,
good, kept a tight leash on the narrative, just did not feel special, fresh or extra-ordinary. I wonder why it got the Best Picture nod at the Academy Awards. It's hard to believe that the other contenders (none of which I've watched) are weaker than Argo.
Considering both show entirely different Irans, it would be interesting to watch 'Color of Paradise' followed by 'Argo' some day
The Liked till Half way list
A Bittersweet Life (2005)
I liked Kim Jee-woon's excellent
Tale of Two Sisters and the ultra-violent
I saw the Devil. Bittersweet life had a promising start, an interesting first hour and was going somewhere until it started feeling more about style than substance.
Samurai Rebellion (1967)
While Kobayashi is not well known as Kurosawa or Ozu, I liked both the epic, 600 minute, three part 'Human Condition' and 'Harakiri' (which has been recently re-made by Takashi Miike).
Just like the direct translation of 'Condition of being human' fit the movie than 'Human Condition', the direct translation of "Rebellion: Result of the Wife Bestowed" is much more suitable than 'Samurai Rebellion'. If I had read this translation earlier (which I did not as I only read more about the film after watching it), I would have toned down my expectations of a Samurai uprising
. Though we keep hearing that Sasahara is this great, unparalleled swordsman, we hardly see him in action until very late into the film. Luckily, I didn't expect a samurai swashbuckler, so this didn't upset me.
I've always liked both Toshiro Mifune (the first image that comes to mind when I think of Samurai Films) and Tatsuya Nakadai (whose big open eyes in
Human Condition reminded me of Sivaji Ganesan in Parasakthi), so not much to complain about either of them. The first half is well done - showing how the Lord forces his will upon the obedient vassal's family and how the political structure and family influence work together. This part was more believable and understandable. After the battle lines are drawn though, the movie became a bit predictable and fell short of my expectations in the end.
Didn't like as much
Ugetsu (1953)
Due to it's high rating and place in various lists in iCheckMovies (15 of them), I had high expectations going into the movie. Either I expected something different and/or I clearly fail to understand Western fascination with this moral tale. The story is about two peasant families during a time of war. One of them is a potter who gets greedy about using war time prices to his benefit. The other is a dreamer who wants to become a Samurai despite lack of skills. The film ( a book adaptation) is about how this greed affects the two families and what happens to each of them. While it was interesting in bits and pieces, I did not like it on par with other Japanese movies I have seen from that era.