Noriko Trilogy
My original plan was to watch something mild, perhaps a horror / thriller and call it a night. I casually started watching Ozu's
Late Spring (1949) in the afternoon. At first, I wasn't that interested. All I kept thinking was even Indian films of that period (1950-60) could have been made with the same story. What makes it any different? I was also a bit annoyed by the constant cheerful face of Setsuko Hara, who played the central character of Noriko. Later on when she went through a range of emotions from anger to sadness, I realized how it helped set a visible contrast in the mood of the film. I was hooked and went onto see the second film in the trilogy,
Early Summer (1951). Though they are part of a trilogy, they are stand-alone films sharing only the same central character name (played by the same actress with similar cast members around her) with a similar problem, but in a different setting. Both are simple, quiet films in a family setting, largely happening inside a house which just happen to be good.
I later finished the amazing
Tokyo Story (1953), where everything is taken up a notch. So far the best of Ozu's four films for me (The other one being
A Story of Floating Weeds (1934)). I would say that it is among the few 'must see' films of that era.
If anybody is interested, I would suggest watching all three films. There are similarities and parallels between all three films which is interesting to link (Missing son in the second and third films, parallels between first and third, differences between first and second etc., etc.,).
An American Werewolf in London (1981) is a good horror-comedy which despite it's age was quite likable, particularly Jenny Agutter :licklips:
When I first came across
The Lincoln Lawyer (2011) on some channel recently, I skipped it because it felt like a CSI-kinda story with a bigger budget. It was quite enjoyable actually. The reverse of that would be "
Now You see Me", which I thought I'd like, but didn't, despite the great cast and potential.